Exit Planet Earth: Carbon

March 2020

People who like Exit Planet Earth: Carbon also listen to Le k, Paul Blackford, Claro Intelecto, Al Tourettes, 2AM/FM, James T. Cotton, Legowelt, Manni Dee, Decal, Mesak.

20/20 Vision released Exit Planet Earth: Carbon on Mon Mar 16 2020. The 4 track Electro release features 214, Derek Carr, Reedale Rise, and The Hacker. **20/20 Vision** has also released vinyl by [Wulf N Flow](/artist/wulf-n-flow), [Random Factor](/artist/random-factor), [Ron Basejam](/artist/ron-basejam), [Voigtmann](/artist/voigtmann), and [2020 Soundsystem](/artist/2020-soundsystem). Browse the [20/20 Vision catalogue](/label/20-20-vision). People who like Exit Planet Earth: Carbon also listen to Le k, Paul Blackford, Claro Intelecto, Al Tourettes, 2AM/FM, James T. Cotton, Legowelt, Manni Dee, Decal, Mesak.

Derek Carr

Reedale Rise's debut vinyl release was a deep techno cut on Edinburgh based label Common Dreams in 2015. This was followed up by two well received EPs on Holland's longstanding bastion of electronic deepness, Frustrated Funk. A return to Frustrated Funk beckons again in 2020. In 2019 Reedale Rise joined the 2020 Vision label's electro movement known as 'Exit Plant Earth' by playing at two parties in Leeds and contributing an EP and track on a various artists release for them. He continues to play far and wide with gigs from Lisbon to Kiev under his belt. 2018 brought a critically admired debut LP on Kondi Records and a Reedale Rise track appearing on one of the final Fabric CDs, mixed by Craig Richards. Other labels he's released on include Boe Recordings, Where We Met, Emotions Electric, Childhood Intelligence, Assemble, Subwax Excursions, Propersound and Spaecial. Through these releases his varied production styles have been flexed whilst always retaining a clear identity centred around melodic, emotional sounds. Before releasing any music Reedale Rise was a prolific Youtuber with a cult channel demonstrating his skills in the hardware studio and providing advice and support to other budding hardware lovers. His teenage years in were spent in Cornwall listening obsessively to techno and drum and bass mixes taped from the radio, with the likes of LTJ Bukem, Goldie, Dave Clarke and Jeff Mills being pivotal influences. 1998 was the year to leave sleepy Cornwall and head north to Liverpool for university and further musical education. Cutting his serious clubbing teeth at Liverpool's Bugged Out! parties, led him deeper into the world of house and techno, with Derrick May and Carl Craig becoming ongoing inspirations.

Reedale Rise

Michel Amato's contribution to electronic music can barely be overstated. As The Hacker, and under different aliases, he has inspired generations of dance music fans and artists. He continues to perform at the very top of his game, constantly evolving and challenging himself with boundary-pushing projects. Coming from the French city of Grenoble, Amato spent his younger years absorbing futuristic Techno sounds from Detroit, bands like Depeche Mode, New Order, Kraftwerk and Front 242, as well as Italo Disco and Acid House. Given the breadth of his influences, it’s no surprise Amato's own discography defies simple definition, covering a wide range of styles in the years since his first release in 1996. Traversing zeitgeists, Amato had a Techno phase, dipped into EBM, sci-fi tinged Electro and New Wave, but is perhaps most famous as a founding father of Electroclash. Peaking at the turn of the millennium, Electroclash fused technoid rhythms with humorous punk and synth-pop sensibilities. Amato met a kindred spirit in Miss Kittin and together they became of one the most iconic duos in electronic music. Her vocals proved the perfect match for his productions, lending them a certain accessibility and new found audience. Kittin's deadpan delivery brought flair to Electroclash hits such as ‘Champagne’ (1998) and ‘Frank Sinatra’ (2000); DJ Hell released the tracks, as well as numerous other Hacker & Kittin productions, on his seminal International Deejay Gigolo imprint. Managing to incorporate elements of popular music without ever sacrificing their authenticity, Amato and Miss Kittin sold hundreds of thousands of records and gained worldwide recognition. In 2004, Amato released his most well-recieved album to date, ‘Rêves Mécaniques’. Largely a solo record, it was a return to the more eerie and edgy, instrumental sound he had pursued in his early years. The album showed that, in the right hands, even this ice-cold, ravy, Acid sound was fit for the charts. The years since wtinessed Amato put out a wide array of his own club mutations, whilst working on remixes, a DVD containing interviews and live footage, mix CDs and his label GoodLife. Today, he is as in-demand as ever. A highly-acclaimed LP, ‘Le Théâtre Des Opérations’, on Dark Entries in 2017 recalled the tough sound of his early works but with more modern production and fresh ideas. The currently thriving, young Electro and EBM underground consider Amato as a master of his craft and many of his older tracks are becoming classics. He has drawn the attention from tastemakers like Helena Hauff, Erol Alkan and Veronica Vasicka for contributions to their labels, released a new collaboration with Miss Kittin and been commissioned to remix both Dave Gahan of Depeche Mode and DJ Hell. In the live and DJ environment, Amato is as revered as he is on record. His set up has taken many forms over the years, largely centred around classic hardware such as the Korg MS 20, the Roland TR 808 and SH 101. His new live project (called ‘Amato’) is a 100% analog, return to his roots that has been presented at venues and festivals such as Dekmantel, Berghain, Nuits Sonores and Off Sonar. It’s a testament to the consistently high quality of Amato’s work and his visionary nature that he remains such a well-respected pillar of electronic music, with his timeless musical innovations continuing to rock dance floors worldwide.

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