People who like Textures I II also listen to A-Divizion, Klik Klak, Alexander Avilla, Graf Kashinsky, EFXHand, Ash Paine, Ruben Amaya, Sonny Sabotaz, A.c.n., Alexei & Carlos Kinn & Dave Rose.

Concrete released Textures I II on Wed Feb 27 2013. The 4 track Techno release features Bleak, Dario Zenker, Abdulla Rashim, Behzad, and Amarou. **Concrete** has also released vinyl by [Phooka](/artist/phooka), [Hemissi](/artist/hemissi), [Voices From The Lake](/artist/voices-from-the-lake), [Donato Dozzy](/artist/donato-dozzy), and [Neel](/artist/neel). Browse the [Concrete catalogue](/label/concrete). People who like Textures I II also listen to A-Divizion, Klik Klak, Alexander Avilla, Graf Kashinsky, EFXHand, Ash Paine, Ruben Amaya, Sonny Sabotaz, A.c.n., Alexei & Carlos Kinn & Dave Rose.

Bleak

Dario Zenker, natural-born dancer and Mowgli-like wild boy was raised in Germany’s Deep South on a diet of Wu Tang, Gangstarr, Michael Jackson and sweet mustard. His childhood habitat allowed for much adventuring, moving from the heart of Munich to the Bavarian wilderness at the age of 12, but always having the liberty to roam freely and explore his surroundings. At weekends, wandering off back to the southern capital, he would stay at his stepdad’s flat, encountering many techno warriors from far and wide. Here, they would find their refuge after a night behind the helm at the infamous Ultraschall, founded and run in ‘94 by Dario’s stepaunt, Dorle and her man DJ Upstart, among others. After turning 15 he got his paws on a mixer and a set of Gemini turntables. Subsequently, his passion for playing music (and disturbing the peace) took flight. As the young cub matured, his nocturnal nature lead him to goa trance gatherings and other such tribal ceremonies. Coming home to meet mystical gurus like L.A. Williams, Jay Denham and Shake Shakir served only to ignite his burning curiosity for underground electronic music. After receiving his first techno record from Shake at 16, (having woken to him listening to his stepdad’s Beatles records in the living room) his techno quest began. At 18, the valiant young kid was deemed dexterous enough to man the controls at Ultraschall, for the first time alongside Acid Maria and the Hacker. When the notorious techno temple closed in 2003, the Ultraschall tribe seperated and founded new settlements in the years that followed, today Harry Klein and Rote Sonne. Adopted by the Harry Klein family Dario found his second home, with a residency there from 2006 - 2012. 2006 saw his first vinyl debut and since then he has produced releases on labels such as Vakant, Frozen Border and Time to Express, to name but a few. Today, apart from gourmet cooking and Kung Fu wrestling his compadres, the Munich maverick channels his energy into one project in particular. Founded by him and his brother and partner in crime Marco, Ilian Tape is their homegrown label nurtured with much tender love since 2007. His inspiration? Life, love and dancing.

Dario Zenker

The cohesive array of depth charged devices that Anthony Linell has produced is formidable. From his opening statements as Abdulla Rashim on his early label of the same name, right through to his recent work that puts his aliases aside, there is a robust and rigorous intent that compounds the elemental strategies of techno's models to apprehend his singular vision. Presiding over Stockholm's Northern Electronics label with Varg (Jonas Rönnberg), Linell dispenses with mechanisms of attention on all fronts. Marked by an indefatigable self-reliance, the label presents exactly what it means to display, and no more. Carving an idiosyncratic platform for his music is as great of a warning as there could be that Linell's leveraging little toward the benefit of the audience. By his measure, the familiarity and comfort of contemporary techno is stripped back to its rushing heart, the senses left tailgating the strobe in a fit of intuition over decision. The greater this is exposed the colder it gets, and its in these extremes that Linell's caustic rhythmic precision hits. Live, it comes off as a galvanizing strike from the outside; analysing the room as a DJ, it's a case of being pursued through the dark. Just as the brevity of Linell's output in the eyes of techno is exalted as it is brought into focus, the background to this blurs as you start to decipher his other projects. Lundin Oil skirts the fringes of noise and experimental music, and in collaboration with Varg as Ulwhedar, this is perhaps even more pronounced. Purposively ricocheting between the techno world and experimental electronic music, Linell forges a distinct passage that gathers the aesthetically uncompromising motifs and missions from across this spectrum. It's this combination and resolve that's brought Linell to the world's attention, however little that attention has been solicited.

Textures I II

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