Panorama Bar 06 Part II

People who like Panorama Bar 06 Part II also listen to Deepchord, Fluxion, Monolake, Pole, Anders Ilar, Fenin, Mikkel Metal, Echospace, Rod Modell, Claro Intelecto.

Ostgut Ton released Panorama Bar 06 Part II on Tue Aug 05 2014. The 5 track Techno release features Deadbeat, Makam, Marcel Dettmann, Nick Hoppner, and The Oliverwho Factory. **Ostgut Ton** has also released vinyl by [Paula Koski](/artist/paula-koski), [Justine Perry](/artist/justine-perry), [Inox Traxx](/artist/inox-traxx), [Planetary Assault Systems](/artist/planetary-assault-systems), and [Efdemin](/artist/efdemin). Browse the [Ostgut Ton catalogue](/label/ostgut-ton). People who like Panorama Bar 06 Part II also listen to Deepchord, Fluxion, Monolake, Pole, Anders Ilar, Fenin, Mikkel Metal, Echospace, Rod Modell, Claro Intelecto.

San Proper

The Mole

Luke Hess

Deadbeat is one Scott Monteith, an adopted Montrealer who has been releasing his own special blend of dub laden, minimal electronics since 2000 for labels such as Cynosure, Intr_version, Revolver, and Scape. Deadbeat has performed at some of the world's most respected festivals, including Barcelona's Sonar, Berlin's Transmediale, and Montreal's own Mutek. From 1999 to late 2003, Scott worked, assuming various roles, for the Montreal based company Applied Acoustics Systems, makers of the Tassman Software Synthesizer. Having now moved on to pursue his own musical efforts full time, the experience has left him with a passion for the development of new creative interfaces, and a strong grasp of some the most cutting edge technology in the industry. Whether crafting quirky, not-quite-dancefloor techno, or rumbling digital dub,Scott continually strives to create music that honors the past beyond empty tribute or cultural appropriation, by infusing the digital tools of the present with a little of the magic known as human imperfection. Hindered only by the occasional buffer underrun or synapse misfiring, Scott continues to search for his own unique voice between the ones and zeros.

Deadbeat

Makam

Widely associated with Berlin and institutions Berghain and Hard Wax, Dettmann has remained true to his roots by consistently seeking to innovate electronic music, particularly in regards to integrating visual art and techno. Raised in the former GDR, Dettmann developed his passion for electronic music early, counting new wave, post-punk and industrial music as his strongest influences – long before discovering techno and eventually immersing himself in it. Since the early 90s he has been a fixture in Berlin as both an artist and DJ, becoming a resident at OstGut in 1999. He has also held a residency at OstGut's successor Berghain since its opening in 2004 until today. Dettmann’s productions for his own MDR imprint and Ostgut Ton, as well as his compilations and mixes for fabric, Music Man, !K7 and Dekmantel sit between contemporary techno and pre-techno, providing a unique aesthetic at once reduced and rough, emotional and unpredictable.

Panorama Bar 06 Part II

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