Nothing Is Worth The Hype 2/2

People who like Nothing Is Worth The Hype 2/2 also listen to Norman Nodge, Samuli Kemppi, Marcelus, Roman Lindau, Truncate, Tadeo, Perc, Edit Select, Pfirter, Monoloc.

Enemy released Nothing Is Worth The Hype 2/2 on Wed Feb 09 2011. The 4 track Techno release features Dustin Zahn, Joel Mull, Jonas Kopp, Mike Parker, and Van Rivers. **Enemy** has also released vinyl by [Decoder](/artist/decoder), [Dhaeur](/artist/dhaeur), [Zahn](/artist/zahn), [Zippo](/artist/zippo), and [Marcal](/artist/marcal). Browse the [Enemy catalogue](/label/enemy). People who like Nothing Is Worth The Hype 2/2 also listen to Norman Nodge, Samuli Kemppi, Marcelus, Roman Lindau, Truncate, Tadeo, Perc, Edit Select, Pfirter, Monoloc.

Donato Dozzy

Surgeon

Psyk

Dustin Zahn

Joel Mull

If you ask anyone in the music industry how they started their sonic journey of discovery, many will cite the radio or a certain DJ or band. For Jonas Kopp, that magical moment occurred as he began his teenage years with a piece of music that would shape his life: Kraftwerk’s seminal album, Trans Europa Express. “From that moment nothing was the same.” he recalls. “My father had seen I was interested in music and bought me a turntable and some vinyl.” Gaining all the skills needed to be a DJ, he burst on to the scene in the mid ’00s working as a resident DJ at a local radio station in his hometown of Buenos Aires. Aged 19, as Area 64, he had already made his first full length CD. Influenced initially by the tough house rhythms of New York, he soon widened his palette with the pioneers of Detroit and Chicago also informing his style; a comfortable place straddling House and Techno. 2006 marked his official debut release, a rousing EP on Pfirter’s MindTrip Music, and from that point, he has become one of the most versatile and recognised multifaceted performers in the underground scene, combining dizzying 3 deck genre hopping DJing with a more techno-orientated live show which he unveiled at the World’s most well-known Techno institution: “It was a very special gig for me.” He says, “My first time ever in Berlin and I had to play live on the Ben Klock Berghain 04 compilation!” Now relocated to Europe, Jonas continues to grow as an artist, jetting off around the globe every weekend. Signed to the impressive Tresor Records among a long list of others, he released his album ’Photon Belt’ this year - a follow up to the 2014 ‘Beyond The Hypnosis’ long player. Recalling another pivotal moment in his career, he remembers a live PA for French promoters, Concrete: “During my Beyond the Hypnosis tour, I had to play before Surgeon. It was humbling having him was behind me listening and enjoying the set, I will never forget the experience.” Multitalented, Jonas has two aliases focusing on House (Untidy) and Ambient (Telluric Lines) as well as running his new label Tremsix. As a deeply spiritual man, Jonas believes his music can bring people together on a higher level: connected through art. “I know my mission in this life is give service and help to make people awake-aware through my gift.” He also plans to give back to the scene by acting as a mentor to new artists. Viewing music as a form of therapy is close to Jonas’ heart and sees his ambient project - Telluric Lines - could be performed in non-club environments such as museums, galleries and beyond. Drawing people together under the umbrella of hope.

Jonas Kopp

For 20 plus years, he has perfected a unique interpretation of techno, instantly recognisable to contemporary audiences, which has earned him a legendary global status inspiring the likes of Donato Dozzy and many of his peers for decades now. Mike first stepped onto the scene in ‘97 with two fiery EP’s that would set the tone for his future musical endeavours. The following year would see the birth of his label Geophone which became the outlet for his long-running series of 12” records and debut album which all played a pivotal role in establishing his sonic persona. Hard work doesn’t go unnoticed and after earning his stripes in the US Parker’s productions would cross the Atlantic and find themselves on some of Europe’s most established labels. Over the past ten years, the likes of Tresor, Semantica and Spazio Disponibile have all played host to a number of his EP’s while his second studio album found a home with the mighty Prologue back in 2013 to much acclaim. In 2019 he will relight the fire with his Geophone imprint and continue to leave his mark on techno by doing so. As a DJ, Parker rose through the mid-1990s as a mainstay in the US’s emerging warehouse party scene. His hypnotic, abstract and hard-hitting approach to performing earned him a highly respected reputation and further increased his devoted following. His wealth of experience in the booth has been acquired with regular performances across North America, Europe and Asia making Parker a well-seasoned underground veteran. From his humble beginnings to the present-day Mike Parker has amassed an impressive list of credentials paving his own lane with a unique style that breathes innovation yet honours the true values of techno. And after 20 years in the game, Mike is still a dominant figure that continues to carve his own niche in the ever-expanding world of electronic music.

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