People who like Killekill Megahits II Part 3 also listen to Answer Code Request, Cassegrain, J Tijn, Polar Inertia, Bleaching Agent, Metrist, Shifted, Rrose, Eomac, joeFarr.

Killekill released Killekill Megahits II Part 3 on Fri Jul 22 2016. The 4 track Techno release features Alex Cortex, Blake Baxter, Cassegrain, Kamikaze Space Programme, and Tin Man. **Killekill** has also released vinyl by [Mininum Syndicat](/artist/mininum-syndicat), [Black Davil](/artist/black-davil), [Wellen Brecher](/artist/wellen-brecher), [Jerome Hill](/artist/jerome-hill), and [Detroit Grand Pubahs](/artist/detroit-grand-pubahs). Browse the [Killekill catalogue](/label/killekill). People who like Killekill Megahits II Part 3 also listen to Answer Code Request, Cassegrain, J Tijn, Polar Inertia, Bleaching Agent, Metrist, Shifted, Rrose, Eomac, joeFarr.

Alex Cortex

Blake Baxter, born in the Soul and Techno Mecca Detroit Michigan USA Before artist from Detroit city got noticed worldwide for their electronic music sound as early as a teenager Blake Baxter was DJ-ing all forms of dance music from Hip Hop and R&B, Reggae, Dancehall, alternative rock to Disco. Also working on his own productions in studios in Detroit and Chicago eventually Blake was signed to Chicago Illinois, DJ international dance music record label at the time Baxter was not an established artist and not from Chicago he was a kid in a candy store Blake loved the Chicago house music sound and was influenced by the Chicago house music scene. As an artist Blake Baxter sound for DJ international was not traditional Chicago house music it was dark a combination of industrial sounds and acid house influences it was before the techno namesake and sound was established in Detroit just before it's recognition after a year or more of working in studios with DJ International Mr. Baxter was introduced to Kevin Saunderson who at the time was starting up his own record label called KMS Records soon after their introduction the label KMS Records released a four tracks production by Blake Baxter on an Ep vinyl 12 inch format produced by Blake this was Baxter first official release shortly after the KMS release DJ International released some of Blake Baxter early recordings on their Dj international artist completions. Blake also released music on Transmat records he was the man behind the funky Bassline on Kaos Juice Bar. then came the first Detroit techno compilation the compilation that introduced the Detroit electronic music artist and their sound to the world on the Virgin Ten records on the compilation album. Blake Baxter worked on four projects on the album following the Virgin Ten release. Blake toured briefly in the UK with Derrick May & Kevin Saunderson after that back home in Detroit Blake Baxter then called affectionately by his colleagues the Prince Of Techno started working with other Detroit labels such as Incognito Records his release on incognito a tune titled Sexuality and Underground Resistance record label UR-06 titled the Prince Of Techno 12 inch Ep after the release of UR-06. Baxter then toured in Germany and Europe with Underground Resistance member Jeff Mills. Then realizing this his love for the house sound and classic dance music Blake decided to try to introduce a fusion of the two releasing techno hard edge beats with his soft vocals style and Disko samples introducing a Tech-House style to the world. On the Tresor label, Blake started producing more tech-house style like (One More Time) and (Brothers Gonna Work it Out) calling the series Dream Sequence more of a DJ sound tool and blueprint for future tech-house projects such as on the Disko B label (Our Luv) and the Ghetto Brothers group projects his sound eventually lead him to the major label projects on Logic Records Germany & UK and RCA in the States since then the techno electronic music sound has evolved into many other forms ranging from breakbeat, drum & bass, jungle, trip-hop, trance, electro, dubstep to minimal and tech-house. Today the dance floor tempo has calmed down and the tech-house style combination is a necessary tool for today's dance floor and today's electronic music DJ Blake Baxter has an unmistakable sound and recognizable style and is undoubtedly a true contributor to the 1st wave sound of techno coming from Detroit and a big part of the electronic movement sound evolution. Blake project group and label Poetry And Rhythm, Mix Media, 'Mix Records' Blake Baxter style is spoken word and poetry mixed with electronic dance music poetic whispering some time humoristic sometimes sexy always something to think about so it only makes sense to call his style poetry and rhythm, after all, that's what it is. 2019 releases 1. Tenth Planet / KMS 2. I LIKE / Acid313 3. Submit Your Self To Me / MB Elektronics Recordings For DJ / Live Act Booking please contact: booking@blakebaxterdetroit.com All other inquiries: info@blakebaxterdetroit.com

Blake Baxter

Cassegrain

Kamikaze Space Programme

Tin Man is an artist in the truest sense of the word. Over the last decade now the man born Johannes Auvinen has explored an ever evolving sound palette that touches on house, techno and ambient. Much like his namesake’s character in the Wizard of Oz, he has been on a mission to find his true self, except this Tin Man’s medium has been music. Most recently the California born producer and live act has been responsible for reinvigorating the acid scene with his unique and cerebral manipulations of real Roland 303s. His tracks have been laced with slow and subtly shifting patterns that are infused with a very real machine soul and exude captivating warmth. Taking influences from “Chicago and radio pop rock as well as melancholic UK electronics and Sahkö” Tin Man’s extensive discography also explores less sublime and seductive sounds on labels like Keys of Life and Acid Acid, and plenty of raw sonics on albums like Scared. He is also part of The Acid Symphony Orchestra (a live super group that features artists playing on ten 303, 707 and 808) and has turned out a standalone neo-classical and ambient work, Vienna Blue, which proves he does so much more than pure dancing music. “I started fiddling with music when I was in college,” he says. “I was collecting records, anything electronic; from ambient to techno to computer music. When I was out of school, and had steady work, I bought some gear and then tried imitating the music I liked with mixed results.” Before long though he found a sound that was truly his own and has continued to do so over and over again ever since. This modern acid master plays live on 303s, 707s and plenty more bits of hardware, always creating textured soundtracks on the flying using a range of FX and skills built up over the last decade. He never fails to make people dance to his beat whether he’s playing festivals in Japan, influential clubs in Europe or dirty back rooms across America and puts most similar acts to shame.

Killekill Megahits II Part 3

About Killekill Megahits II Part 3