People who like In The Dark: Detroit Is Back also listen to Gabbamonkey, Raybone Jones, Delano Smith - Feat. Diamondancer, D.L Jones feat. Amp Fiddler, Techno, Moodymann, Sherard Ingram, Marcellus Pittman, Derrick May, Terrence Parker.

Still Music released In The Dark: Detroit Is Back on Thu Nov 07 2013. The 12 track House release features Craig Huckaby, Alex Israel, Patrice Scott, Marcellus Pittman, Terrence Dixon, Keith Worthy, DJ 3000, Gabbamonkey, Mike Agent X Clark, Raybone Jones, and Jon Easley. **Still Music** has also released vinyl by [Diamondancer](/artist/diamondancer), [Delano Smith](/artist/delano-smith), [Jiraffe](/artist/jiraffe), [Scrappy](/artist/scrappy), and [Natalie Smash](/artist/natalie-smash). Browse the [Still Music catalogue](/label/still-music). People who like In The Dark: Detroit Is Back also listen to Gabbamonkey, Raybone Jones, Delano Smith - Feat. Diamondancer, D.L Jones feat. Amp Fiddler, Techno, Moodymann, Sherard Ingram, Marcellus Pittman, Derrick May, Terrence Parker.

Craig Huckaby

Alex Israel

Patrice Scott’s roots in the Detroit music scene go a long way back. At the age of just 11 he lived down the road from early DJ group Direct Drive and it was at these block parties that Scott decided that this is what he wanted to do. That his inspiration should be so deeply rooted in live music and the dance floor environment makes sense – he has become known as one of the most innovative and dynamic club DJs from the Motor City with his own deep and textured house & techno sound. In those early days of the Detroit techno scene Patrice was exposed to legendary artist and disc jockeys like Juan Atkins, Derrick May, Kevin Saunderson, Jeff Mills as well as radio personality The Electrifying Mojo. Patrice also was profoundly inspired by the Chicago Sounds of Larry Heard, Ron Hardy and Frankie Knuckles a few hundred miles west. Patrice’s music reflects much of the rich sound palette of deep house and techno from the 1990’s but combines this with a sense of constant innovation which depends less on trends and fashions and more on Scott’s own passion for seeking out an otherworldliness in music. In 2006 Scott launched his own imprint, Sistrum Recordings, which has since released a long series of records to ongoing critical acclaim. 2015 saw the long awaited release of this debut album – “Euphonium” – where Scott displayed “jaw – dropping production prowess, both from a programming and compositional perspective” (Resident Advisor) Patrice Scott remains one of the scenes most ambitious and interesting figures with a relentless focus on unique music, the dance floor environment and collaborating with a compelling selection of American and European artists.

Patrice Scott

Marcellus Pittman

Terrence Dixon, also known under the Population One moniker, describes his techno as “Forward-thinking ghetto electronics” and is widely recognised for his incongruous, minimalist sound design, authenticity, and dedication. A prolific producer, his 30-year studio career has seen releases on Metroplex, Tresor and Rush Hour to name but a few. Dixon's sound safeguards Detroit techno so that it will remain relevant in the years to come and his tracks have been some of the most exhilarating of the 21st century. He is a champion of the Detroit sound, who is firmly rooted in the city's grand tradition, but also propels things forward in unexpected ways. Bookings: PARAMOUNT tom@paramountartists.com

Terrence Dixon

Keith Worthy

Juncaj discovered the rich history of Detroit Techno by going straight to the source. Through a friend “DJ Bone” he was introduced to the world of 2030, one of Detroit's most famous outlets for electronic music, and by association, introduced to the world of Underground Resistance. He was initiated into the Submerge crew and never looked back. He began DJ'ing around Detroit and was introduced to the world via the 'Somewhere in Detroit' mix series on Submerge Recordings. The SID mix was the world’s first introduction to DJ 3000. Until this point is his DJ career, Juncaj had always gone by his given name when performing, however UR co-founder “Mad” Mike Banks decided that Juncaj needed a DJ name. UR and Submerge had just relocated their headquarters to 3000 W. Grand Boulevard in Detroit, so in the honor of that, and to let the world know that Juncaj was part of delivering the sound of Submerge and UR to the masses, he was dudded DJ 3000. Since the release of the SID mix series, as well as with the success of his 'Electric Soul' and 'True Colors”, DJ 3000 decided it was time to start his own label Motech in 2002. Through his own releases, and through collaborations and contributions from some of the best up-and-coming producers across the globe, Motech Records has forged its own unique identity. Some projects, both present and upcoming, of note for DJ 3000 and Motech have included 'Migration' – Franki's first full length album on Submerge Recordings, 'Blood & Honey' his follow up full length release and 2009’s Galactic Caravan album. 2012 was a milestone for Juncaj’s Motech label celebrating 10 years which included a remix project consisting of remixes from a all star cast of Robert Hood, Luke Hess, Mark Flash, Samuel L Session, Delta Funktionen, Ken Ishii and Mark Broom. DJ 3000 who stormed the DJ and store charts with ‘Take Me Away’ in April 2016. 2017 Motech celebrated 15 Years that seen Juncaj deliver a series of EP’s while capping it al off with a 15 song compilation. 2018 Juncaj has a remixes scheduled for 'Raíz', Glasgow’s fastest rising star 'Frazier', home town label 'Detroit Underground' while putting the finishing touches for another EP to release on Motech this May.

In The Dark: Detroit Is Back

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