Hidden Objects

People who like Hidden Objects also listen to Adam Beyer, Chris Liebing, Alan Fitzpatrick, Gary Beck, Ben Klock, Joseph Capriati, Luigi Madonna, Alex Bau, Johannes Heil, Pig & Dan.

Figure released Hidden Objects on Thu Feb 11 2016. The 3 track Techno release features Len Faki, Philippe Petit, Scuba, and Slam. **Figure** has also released vinyl by [Exos](/artist/exos), [Kuss](/artist/kuss), [Arkan](/artist/arkan), [Iglo](/artist/iglo), and [Jancen](/artist/jancen). Browse the [Figure catalogue](/label/figure). People who like Hidden Objects also listen to Adam Beyer, Chris Liebing, Alan Fitzpatrick, Gary Beck, Ben Klock, Joseph Capriati, Luigi Madonna, Alex Bau, Johannes Heil, Pig & Dan.

Gary Beck

Mark Reeve

Alan Fitzpatrick

keeps him open-minded as both, dj and producer. His sound is constantly evolving without ever losing its vibrant, unique energy and the passion and heart he puts into his sets. His gigs are an audio-visual adventure where he is not only playing for the crowd but rather performing for and with them. Even before his move to Berlin in 2003, Len Faki had the experience of managing two highly acclaimed techno labels, Monoid and Feis. These early years of fruitful productivity provided the necessary groundwork for the next big steps in his career. Upon his arrival in Berlin, it didn´t take long until he became a resident-DJ in the newly opened Berghain - a match made in techno heaven and a monthly experience he wouldn´t want to miss for anything. The characteristic extra long DJ-sets in his 'living room' inspire him to vary in tone and fully roll out his style to explore and further deepen his mastery of turning a DJ-set into a bona fide musical journey. In 2003 he founded his own label Figure as a new platform to play out his eclectic and open-minded vision of techno music. At first an outlet for his own productions, Figure developed into a well recognized, highly acclaimed label, releasing household names like Jeroen Search as well as upcoming producers like Cleric, Roman Poncet and Regal. To support and believe in the success of upcoming artists was and always will be a matter close to Len’s heart and so the label is constantly scouting for fresh talent to develop and produce. Closing in on it's 100th release, Figure is setting a new standard for techno music that is equal parts versatile, exciting and cutting-edge. In 2006 Len founded the new label Podium with the intention to produce a short running series of EPs, featuring exclusive tracks from colleagues and friends alongside his own creations. From its initial release Podium found a sizeable fan base and has since gained cult status within the techno fraternity. One year later, in 2007 he released the double A-side 'Rainbow Delta/ Mekong Delta' on Ostgut Ton, which became one of the biggest anthems of the year and an instant techno classic, heavily supported by techno’s top DJs. The success and popularity of Mekong Delta brought a wave of attention to Faki, who answered with numerous, extremely successful follow-up tracks like 'My Black Sheep“ or „Odyssee II', which turned into massive club hits in 2007 and 2008, as well as 'Death By House' for Sven Väth’s Cocoon label, a track, that ruled that year’s summer festivals and Ibiza's annual debauchery. Thanks to his passionate performances, he got constant, top-notch rankings in a variety of popular music magazines. In Groove magazine's reader poll at the end of 2007 he was voted to the top position in three categories like 'Best Track' and 'Best Producer' - a tremendous honor and triple status that no one had ever achieved before him. Never one to rest on his laurels, Len´s love for the infinite variety of electronic music resulted in founding figure spc in 2009. An authentic label, releasing techno music in all its facets, open minded and unconditional in its passion. Just like Podium before it, figure spc quickly found a huge fan base, who appreciate the label’s tidbits each time. In spring 2009, another milestone in Len’s career was passed with the release of 'Berghain 03' on Ostgut Ton, Len Faki’s first commercial mix-CD. Accompanied by two 12 inches with exclusive tracks from fellow producers like Radio Slave and Len himself, 'Berghain 03' further reinforced his status as one of the most innovative and versatile techno DJs in the business who pairs a deep understanding of balancing stripped-down funkiness and modern techno sensibilities. Since then Len has found more and more pleasure in editing tracks for his DJ- sets to create his own musical universe and further develop his unique sound on stage. Len Faki’s bone-dry but communicative execution style sets him apart as a true gentleman behind the turntables, an artist whose sets are based on raw passion and beauty, who uses his fingertips like sensors on a Richter scale, gauging, anticipating as well as triggering eruptions on the dance floor...

Len Faki

Philippe Petit

Since 2003, Paul Rose – aka Scuba – and his Hotflush imprint have shaped the direction of the electronic scene’s bass-heavy landscape more than most. Starting with the underground garage sound that became dubstep, and gradually teasing its dark, bass-heavy sonics through abstract electronica, jacking house and cavernous techno, they are the underground tastemakers behind era-defining club smashes like Joy Orbison’s ‘Hyph Mngo’ and 2013's ‘Untitled’, the ubiquitous piano house banger by Paul Woolford. They also launched the careers of innovators as diverse as Mount Kimbie, George FitzGerald, Or:la, and Sepalcure. As a DJ and producer, he’s released five artist albums, spun mixes for the esteemed DJ Kicks and Fabric series, won a DJ Mag Best Live Act award and run a series of seminal nights ‘SUB:STANCE’ at the world's best club, Berghain, opening a portal for many involved in the UK-centric dubstep movement of the 2000s, immersing them directly at the core of Berlin’s inimitable techno scene. During its five year run from 2008-2013, the quarterly event brought an impressive and diverse list of artists to Berghain for the first time, opening up the Berlin institution to a new set of aesthetics and commanding a dialogue between two crucial scenes. A musical contrarian, Scuba has deliberately pushed against dance music currents. After the melancholic statement that comprised his 2008 debut 'A Mutual Antipathy', he released 2010’s 'Triangulation', a widely acclaimed opus steeped in shadowy cross-genre electronics. That was swiftly followed by excursions into deep 4/4 rhythms under the pseudonym SCB and then, surprisingly, 2011’s ‘Adrenalin EP’ paving the way for the following year’s jubilant 90’s house-inflected album, 'Personality'. After three years constant touring, in 2015 he released his 'Claustrophobia' LP, another abrupt stylistic left turn, leaving behind any trace of euphoria, instead delving deep into experimental electronics and pounding techno. His most recent album as SCB 'Caibu' (2018) drew strength from introspection in a dystopic setting, focusing on the vague notion of a climate-related disaster. To conclude 2018, Rose announced an indefinite break from touring and the presentation of three new releases celebrating ten years since the launch of SUB:STANCE. 'A Mutual Antipathy Revisited' looks back on his 2008 debut album, presenting newly mastered digital versions of the originals, as well as a lost track from that era featuring Amp Fiddler. 'SUB:STANCE in Retrograde' is a ten-track album of never before heard material produced during the sessions for the first two Scuba albums in 2008 and 2010. Concluding the series, 'Sounds of SUB:STANCE' is a vast compilation of tracks from some of the most lauded artists in electronic music, providing a soundtrack to the legendary parties of 2008-2013.

Hidden Objects

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