February 2018

People who like Dys Functional Electronic Music EP 3 also listen to Vril, Answer Code Request, Anthony Parasole, Chevel, Fiedel, Herva, WK7, Stenny, Positive Centre, Gunnar Haslam.

Repitch released Dys Functional Electronic Music EP 3 on Wed Feb 14 2018. The 5 track Techno release features Skudge, Mike Parker, Ascion, D Carbone, and Zenker Brothers. **Repitch** has also released vinyl by [Marceldune](/artist/marceldune), [And](/artist/and), [Vtss](/artist/vtss), [Ryan James Ford](/artist/ryan-james-ford), and [Umwelt](/artist/umwelt). Browse the [Repitch catalogue](/label/repitch). People who like Dys Functional Electronic Music EP 3 also listen to Vril, Answer Code Request, Anthony Parasole, Chevel, Fiedel, Herva, WK7, Stenny, Positive Centre, Gunnar Haslam.

The Skudge universe has come a long way from the anonymous and humble beginnings to world-wide recognition through the labels Skudge Records, Skudge Presents and Skudge White. Right from the start, the main output has been on Skudge’s own label. This resulted in a Berghain live set right after the first release of Skudge Records. A steady string of vinyl releases followed, with remix EP’s in conjunction of their own work. Their unique take on music also produced EP’s on Dekmantel and Indigo Area as well as remixes on a wide array of talented artists such as Donato Dozzy, Anthony Shake“ Shakir, Instra:mental, Ben Sims, among others. The fine sense of loops, detail and taste have reached people for almost a decade. Be it through their EP’s or albums, hardware focused live sets which has been performed at numerous clubs and events world-wide or by way of recognized labels and podcasts: one thing remains, which is that the Skudge artistry and label are here to stay.

Skudge

For 20 plus years, he has perfected a unique interpretation of techno, instantly recognisable to contemporary audiences, which has earned him a legendary global status inspiring the likes of Donato Dozzy and many of his peers for decades now. Mike first stepped onto the scene in ‘97 with two fiery EP’s that would set the tone for his future musical endeavours. The following year would see the birth of his label Geophone which became the outlet for his long-running series of 12” records and debut album which all played a pivotal role in establishing his sonic persona. Hard work doesn’t go unnoticed and after earning his stripes in the US Parker’s productions would cross the Atlantic and find themselves on some of Europe’s most established labels. Over the past ten years, the likes of Tresor, Semantica and Spazio Disponibile have all played host to a number of his EP’s while his second studio album found a home with the mighty Prologue back in 2013 to much acclaim. In 2019 he will relight the fire with his Geophone imprint and continue to leave his mark on techno by doing so. As a DJ, Parker rose through the mid-1990s as a mainstay in the US’s emerging warehouse party scene. His hypnotic, abstract and hard-hitting approach to performing earned him a highly respected reputation and further increased his devoted following. His wealth of experience in the booth has been acquired with regular performances across North America, Europe and Asia making Parker a well-seasoned underground veteran. From his humble beginnings to the present-day Mike Parker has amassed an impressive list of credentials paving his own lane with a unique style that breathes innovation yet honours the true values of techno. And after 20 years in the game, Mike is still a dominant figure that continues to carve his own niche in the ever-expanding world of electronic music.

Mike Parker

Ascion

D Carbone

Since the late seventies, the Bavarian capital has been a non-dwindling source of advanced musical creativity. Especially electronic music “Made in Munich” has gained worldwide reputation through famous artists like Giorgio Moroder, Richard Bartz, Disko B Records or DJ Hell during the last decades, only to name a few. Right now it’s time for the Zenker Brothers to emerge from this solid foundation, and share a vision with their own definition of contemporary dance music. It was the elder one of the brothers, Dario, who first found his way into Munich’s flourishing scene of electronic dance music during the late nineties. He was a huge fan of Hip Hop and Dub when he stumbled into the neon lights of the omnipresent Goa parties that got staged in many clubs. His first set of turntables was a gift from his parents at the age of fifteen and he quickly found himself at the other side of the dance floor. In 2006 his younger brother Marco, who also was an enthusiastic supporter of Hip Hop and Reggae music – apart from being quite a talented skateboarder -, went to see Dario perform and fell in love with the unique vibe of Techno and House parties. This night was a crucial turning point in any sense. It was only a question of time when these two artists and brothers would canalise their creativity and start to work together. In 2007 they founded the label Ilian Tape with some long lasting friends, in order to establish a platform for their own productions, and in 2012 they started playing their notorious B2B sets. Rooted in the legacy of Detroit and Techno, House, Dub, Rap Music and Breakbeats, the two brothers managed to define their own trademark sound over the years with their own productions, and their own way of running a label by building a fundament with patience. Besides focusing on Ilian Tape they have released records on such notable labels as Tresor or Marcel Fengler’s IMF imprint. In 2015 they released their first album called Immersion, which was the next natural step and heart project after they moved their two bedroom studios together in 2013. The brothers never forget their roots, where they came from and the essential meaning of a well-known Munich proverb: “Live and let live”, so furthermore they transcend the musical legacy of their hometown into the new millennium, shaping and forming it the Zenkerian way towards something very unique and – even more important – connective.

Dys Functional Electronic Music EP 3

About Dys Functional Electronic Music EP 3