People who like Carry On Pretend Were Not In The Room: Part 2 Of 2 also listen to Regis, Inigo Kennedy, Planetary Assault Systems, Peter Van Hoesen, Rrose, Sigha, Perc, Ancient Methods, Delta Funktionen, Shed.

Curle released Carry On Pretend Were Not In The Room: Part 2 Of 2 on Mon Nov 24 2008. The 4 track House release features Tobias, Patrice Scott, Surgeon, and Photek. **Curle** has also released vinyl by [Marc Houle](/artist/marc-houle), [Simone Gatto](/artist/simone-gatto), [Aubrey](/artist/aubrey), [Wawuwe](/artist/wawuwe), and [Gurtler](/artist/gurtler). Browse the [Curle catalogue](/label/curle). People who like Carry On Pretend Were Not In The Room: Part 2 Of 2 also listen to Regis, Inigo Kennedy, Planetary Assault Systems, Peter Van Hoesen, Rrose, Sigha, Perc, Ancient Methods, Delta Funktionen, Shed.

Tobias

Patrice Scott’s roots in the Detroit music scene go a long way back. At the age of just 11 he lived down the road from early DJ group Direct Drive and it was at these block parties that Scott decided that this is what he wanted to do. That his inspiration should be so deeply rooted in live music and the dance floor environment makes sense – he has become known as one of the most innovative and dynamic club DJs from the Motor City with his own deep and textured house & techno sound. In those early days of the Detroit techno scene Patrice was exposed to legendary artist and disc jockeys like Juan Atkins, Derrick May, Kevin Saunderson, Jeff Mills as well as radio personality The Electrifying Mojo. Patrice also was profoundly inspired by the Chicago Sounds of Larry Heard, Ron Hardy and Frankie Knuckles a few hundred miles west. Patrice’s music reflects much of the rich sound palette of deep house and techno from the 1990’s but combines this with a sense of constant innovation which depends less on trends and fashions and more on Scott’s own passion for seeking out an otherworldliness in music. In 2006 Scott launched his own imprint, Sistrum Recordings, which has since released a long series of records to ongoing critical acclaim. 2015 saw the long awaited release of this debut album – “Euphonium” – where Scott displayed “jaw – dropping production prowess, both from a programming and compositional perspective” (Resident Advisor) Patrice Scott remains one of the scenes most ambitious and interesting figures with a relentless focus on unique music, the dance floor environment and collaborating with a compelling selection of American and European artists.

Patrice Scott

His debut EP is regarded by many as seminal, launching his career along with several early Downwards releases, causing a ripple of excitement through the techno cognoscenti of the time. Surgeon has been prolific since, with three albums on Tresor and numerous Counterbalance and Dynamic Tension EPs as well as his 'Breaking The Frame’, ‘From Farthest Known Objects’ and ‘Luminosity Device’ LPs “Over the course of his career, the Birmingham resident has perfected a unique and uncommonly effective production style. His is a tough techno sound with an industrial murk about it but also plenty of funk, swing and a sophisticated sense of dub-space learned in part from his Chain Reaction contemporaries in Berlin. Proving that hard can also be smart, sensuous and danceable, the influence of Surgeon on the 2010-ruling Ostgut/Berghain sound – DJs/producers like Marcel Dettmann, Shed et al – is substantial”. (Fact Magazine) Further evidence of these multi-functional production skills can be seen on Surgeon's impressive remix CV, working with the biggest names in techno (Dave Clarke, Luke Slater/PAS, Green Velvet, Hardfloor, the Black Dog etc), Thom Yorke (Radiohead), Glasgow post-rock outfit Mogwai, old masters Faust and Coil, as well as artists such Moderat, Shed, Traversable Wormhole and Scuba. Over the years Surgeon has shown his versatility as a musician with releases under his own name on FatCat, NNA Tapes and Editions Mego which break all the usual boundaries of electronic dance music. Recently dubbed by Fact magazine as “arguably the finest techno DJ in the world”, Surgeon is also naturally one of the most in-demand, with DJ mixes for Warp and Fabric and a schedule spread across Europe and Japan. He has played every key club/event/festival going; helped pioneer Birmingham’s House of God; and, held a 3 year residency at Tresor (Berlin) during its all powerful 1990s peak. He is also one half of the much loved BMB (British Murder Boys) with Regis as well as performing improvised live sets solo and with Lady Starlight, with Speedy J as ‘Multiples’ and alongside Daniel Bean as ‘The Transcendence Orchestra’ Contemporary Surgeon sets are notable for experimentation with new DJ technologies embracing cutting edge hardware and software solutions, increasingly blurring the line between a DJ set and a live performance. Surgeon is a selector of some skill and one of the most inventive, intuitive DJs out there. Using techno as a vehicle to carry his artistic message, he also mixes up everything from contemporary bass music/dubstep to Rephlex-esque electronica to create a coherent, intense and righteously banging whole. More recently live improvisation has become a more important part of all of his performances.

Surgeon

Photek stands mercilessly on the edge. A sonic scientist, pushing both his sounds and fans' expectations to the outermost limits since 1994, he floods the footnotes of electronica like MP3s clutter up your hard drive. He was there when Goldie declared it drum & bass but to this day he still prefers the term jungle. He chats regularly with James Lavelle, wondering what would've become if his remixes of Attica Blues had led to a more affirmed relationship with the agenda setting Mo Wax. His major label link with Virgin is the blueprint of how things once were; endless time and budget-free worries led to 'Modus Operandi'. A conceptual experiment of time and emotive atmospherics, it pushed the drum & bass template to the edge. Previously misinterpreted as a lone paranoid soldier, a conspiracy theorist and a man from Ipswich, Rupert Photek Parkes is none of the above. Each tale you'll be regaled with elsewhere online is based on a spec of truth that's exploded beyond proportion. May the real Photek please stand up... 2011 will see him drop a series of sounds that reflect the truest perception of him once and for all. Driven by his years of studio discipline; sharpened by an acute awareness that he'll be received by the heads that know him well and ears that don't know him at all, Photek's new sound carries all the barbed motifs and icy atmospherics you'll know from seminal cuts such as 'Seven Samurai' and 'Hidden Camera' all tied up tight with his own take on today's contemporary genre-breaking melting pot. Ardent displays of his eclectic method were there from the very beginning. The seeds had been sewn back in the dancefloor's most formative days, attending early raves, pretty much in his school uniform, and hearing DJs like Jumping Jack Frost fire their way through everything from Derrick May to Phil Collins. These influences are clear from his first EP on Metalheadz with the drum & bass meets downtempo 'Into The 90s'... 'Yendi', the flipside to the 'Modus Operandi' 12', was a prototype for dubstep while 'Mine To Give', a sassy slab of sexed up house coated in Robert Owens' iconic soul, set the foundations for the genreless battlefields well trodden by the likes of Commix and Mount Kimbie. A list of his big screen scores should follow, but it won't. Photek carelessly yarns his years in LA as 'doing this and that', but it wasn't. Hived in the western world's most creative hub, his time since 2007's 'Form & Function Volume 2' has been a creative whirlwind. Collaborations with Nine Inch Nails and troubled troubadour Ray LaMontagne; sell out TekDUZ shows with 12th Planet and DJ Craze; the evening commute down Sunset Boulevard with Fab & Groove on Sirius reminding him of the UK bass culture he helped develop... Photek stands undeniably on the edge of undiluted inspiration. Destination tomorrow: Photek's decorated past and diligent work ethic leads us here. The new music you've heard from Photek in 2011 is yet another chapter in a life spent overdosing on sonic nuances and boundary testing. In the past 12 months his new material has been remixed by the brightest young stars of dance music - Boddika, Falty DL, Addison Groove and Breach to name a few. In turn, Photek has remixed for the likes of Moby, Jess Mills, Distance, Ray Lamontagne and was part of Daft Punk's Tron Remixed package - for which he has been nominated for a Grammy. His newly re-launched label, Photek Productions, has this year released the 'Avalanche EP' which garnered international support from tastemakers such as Benji B, Gilles Peterson, Skream, Annie Mac, Zane Lowe and more, and the 'Aviator EP'. The single 'Closer' was also released on Pinch's pioneering Tectonic Recordings in June. 2012 has seen Photek release a DJ Kicks mix compilation on K7 Records and his long awaited new artist album, KU:PALM.

Carry On Pretend Were Not In The Room: Part 2 Of 2

About Carry On Pretend Were Not In The Room: Part 2 Of 2