People who like Basswalker Part I also listen to Selvy, Sandrow M, Ugly Drums, Paxton Fettel, Jad & The Ladyboy, Andy Hart, Voyeur, Corrado Bucci, Liem, Johannes Albert.

Isolated System released Basswalker Part I on Tue Nov 06 2012. The 4 track Techno release features Ana, Henning Baer, Musk, and Norman Nodge. People who like Basswalker Part I also listen to Selvy, Sandrow M, Ugly Drums, Paxton Fettel, Jad & The Ladyboy, Andy Hart, Voyeur, Corrado Bucci, Liem, Johannes Albert.

Since its beginning in 2009, Grounded Theory has grown from a bracing new idea in Berlin techno to an institution of artistic nightlife both at its home and around the continent. Directed with acute vision and unerring judgment, its philosophy extracted from Henning’s long years at the front lines of electronic music, it remains diverse and cutting edge. Mirroring Henning Baer's DJ sets, Grounded Theory combines music from different eras and areas, remaining rooted in techno while shedding light on sounds less frequently heard on Berlin dance floors: forward UK music, experimental electronics, and underground techno names from across the globe, both new and established.    Following on years of closely-synchronized work with fellow resident Milton Bradley, Henning Baer is now asserting greater independence with innovative new production styles on a recent EP for Taanstaafl Planets. The launch of his own MANHIGH imprint buttresses the foundation of his own work, to be built up alongside a select few whose productions meet the curatorial acumen of one of techno’s finest ears. After esteemed releases on Sonic Groove, K209 and elsewhere, fans worldwide have much to look forward to from a label whose standards match those of Grounded Theory.  Already a respected artist, Henning’s diligence has transported him from the counter to the shelves of Hardwax and from the floor to the booth of Berghain in regular appearances. Now he is building further upon these impressive accomplishments, profoundly shaping contemporary techno from recent memory into the foreseeable future.

Henning Baer

Musk

Born in East German Leipzig, raised in Brandenburg, Norman got bitten by the techno bug after the wall came down. In 1994 he started to promote several events and launched his career as a DJ. At these parties, he got to know Marcel Fengler and Marcel Dettmann and literally became their mentor for all things techno. Marcel Dettmann eventually pitched him to Berghain’s management and he returned to DJing and became a resident instantaneously. Since then, he plays Berghain once a month, specialising in the almost forgotten art of warming up at the beginning of a night. In 2005 he also started to produce his own tracks. His maturity proved to be very beneficial in terms of his artistic vision, as he made up his mind about what he likes and what not a long time ago already. Unsurprisingly, his outings on Dettmann’s MDR label, as well as his track “Native Rhythm Electric” for Ostgut Ton left a deep impression with headstrong techno lovers. With his dusty funk, static hiss and the rich thump of his kick drums, he managed to get himself recognised as one of techno’s more unique auteurs. Norman Nodge cites Detroit techno (Jeff Mills, Rob Hood, 430 West), Chicago House (Relief, Dance Mania) and Techno (Luke Slater, Peacefrog, Mark Broom) as his most essential influences. Hence, it is not surprising that he fuses the old with the new and the soft with the tough when he plays out. “It is my goal as a DJ to make people dance without walking on trodden paths of recent trends. I want to sensitize dancers for unusual sounds, old and new.”

Basswalker Part I

About Basswalker Part I