5 Years Frank Music Part 02

People who like 5 Years Frank Music Part 02 also listen to Break SL, Marcello Napoletano, Fred P, Smallpeople, Brawther, Iron Curtis, Anton Zap, Nebraska, Aybee, Roaming.

Frank Music released 5 Years Frank Music Part 02 on Tue Apr 12 2016. The 4 track House release features Fred P, Iron Curtis, Session Victim, and Tim Toh. **Frank Music** has also released vinyl by [Johannes Albert](/artist/johannes-albert), [Biesmans](/artist/biesmans), [Robert Owens](/artist/robert-owens), [Matthias Vogt](/artist/matthias-vogt), and [Jay Albert](/artist/jay-albert). Browse the [Frank Music catalogue](/label/frank-music). People who like 5 Years Frank Music Part 02 also listen to Break SL, Marcello Napoletano, Fred P, Smallpeople, Brawther, Iron Curtis, Anton Zap, Nebraska, Aybee, Roaming.

“Deep”, perhaps the word most associated with the career of Fred P, and for once, an accurate portrayal. Eleven albums, innumerable releases and decades of Djing into his career, the New York-turned-Berlin resident continues to push further into his own sound, craft, and mind. For those fortunate enough to be present for one of Fred's cathartic, physical and spiritual DJ sets, the dancefloor is not just a place for enjoyment, but for potential. That opportunity for potential – his own, yours, that of our collective consciousness – has long-been the earnest pursuit of Fred P, channeled expertly through his evolved and deeply personal exploration of house and techno music. His futurist approach is inspired as much by the scene's bonafide revolutionaries, Frankie Knuckles to David Morales and Danny Tenaglia, as his own futurist philosophy, weaved together from a glorious patchwork inspired by an ever-expanding network or thinkers, collaborators, and international encounters. If this all sounds rather academic, then any appearance from Fred P will cement the sound of his vision. Years dancing at New York nightspots such as Red Zone, Sound Factory and Tunnel proved to be the sort of open-minded education that cannot be bought, cannot be sold and cannot be hyped. Here, among an eclectic cast throng of consciously aligned fellow party-goers, Fred P learned pleasure and patience from extensive record collections that often went some way to suggest that less can mean more. It's a confidence that runs through his music and Djing, and most recently earned him a quarterly residency split between London's twin clubs, Oval Space and Pickle Factory, sharing the bill with like-minded contemporaries. He was also handed control of the club's sound system for several all-night sessions, a favorite format of his, creating space to conjure a unique, sensual and almost psychedelic early morning atmosphere that the New York native is almost notorious for being able to conjure like few others (refer to his own cult classic, '6AM' for a seductive glimpse of this particular sound.) All this in mind, what's the eventual aim? “Like-minds together, to raise each other's consciousness”, he considers. “And with that, you can have an experience. I'm all for that because I know music can be medicine. Meditation... It's a gift for everybody. So to use it with intent but not self-interest – which is very difficult nowadays – it's all about the time you're given and the quality of what you decide to do with that time.” Time passes, for better or worse, and with that, change must be embraced. 2018 sees Fred P bring his acclaimed Soul People Music outlet to an end and embrace a new label, Perpetual Sound. Launching with a new recording for arguably his best-loved alias, Black Jazz Consortium, the label will be guided solely by his proven eye for emotion and evolution, anticipating new collaborations and styles. That first release was a statement, tellingly titled ‘Evolutions’, adorned with a retro-futurist cover that harks back, perhaps with a sigh, to retro-sixties futurism. On the cusp of an AI revolution, in the midst of political, cultural and social tension and disruption on an international scale, Fred P is determined to ensure optimism and futurism lead forward his practice. “The 20th century was big on originality... The 21st century, so far, not too much”, he reflects. “That attitude in general, towards everything, pushes this singular ethos. The us or nothing bullshit. So what's standing in the way of the obvious stuff? What is the end goal? The end goal is to fully embrace our potential and to remove the things that hold us back: Greed, envy, and self-interest. To embrace a more humanitarian approach Not just for ourselves, but for our species.”

Fred P

On the continent of electronic music, Johannes Paluka has travelled far and wide, collapsing musical boundaries with enviable ease. Under the moniker of Iron Curtis, the Berlin-based creates his complex, hauntingly beautiful productions from a range of eclectic styles and influences. Be it House, Acid or soulful Techno – his sound moves in the equilibrium of reduced, but never minimal. Flashes of kitsch brighten the dark universe of Iron Curtis but fail to interfere with the melancholy subtext. As far as leftfield electronic music is concerned and as long as he sees a chance to break a few genre rules here or there, Iron Curtis is brimming with ideas. all photos courtesy of • Kai von Kotze | http://kaivonkotze.de/ • Jesse Pollock | www.unpiano.com • Chris Fladung | theuniverseisnotaboutyou.tumblr.com/ • Herr Müller | http://www.dicey-studios.com/

Iron Curtis

Hauke Freer and Matthias Reiling AKA Session Victim have an unparalleled energy and passion that translates into their renowned live performances and vinyl-only DJ sets. Now in their tenth year of DJing and producing together, they started releasing music as Session Victim when opinion was firmly stacked that vinyl was dying and embracing digital was the only way to sustain a career as a producer. Their success is workable proof that if you’re making music from a foundation of true passion and friendship, you can go against the grain, stick to your principles and still win out. With their own vinyl-only record label Pen & Paper, they release a varied series of EPs from the dancefloor focused to low slung dub. Influenced by Pen & Paper role playing games from the late 70’s and 80’s like ‘Dungeons and Dragons’ in which the players input to the game yield wildly different results, the label is a fitting expression for the impassioned musical output of two self-confessed studio geeks who frequently spend days and nights locked in their Hamburg studio, working on productions, jamming with other artists and playing pinball. Following three well-received LP’s released on Jimpster’s Delusions of Grandeur imprint, 2020 will see Session Victim release their fourth LP, Needledrop on Night Time Stories (sister label of seminal after hours imprint Late Night Tales). ‘Needledrop’ takes significant inspiration from the lavishly textured and subtly layered jazz and soul compositions that found their way into late 90’s trip hop and features a collaboration with USA singer-songwriter Beth Hirsch (who lent her talents Air’s Moon Safari album). The LP provides a suite of both uplifting and easy-listening moments, refined and understated individually, yet cohesively crafted with the organic groove and inarguable credentials we know of Session Victim.

5 Years Frank Music Part 02

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