Illegal Alien XVI Years Vol 6

November 2023

People who like Illegal Alien XVI Years Vol 6 also listen to YOUTH, Stereo Explosion, Amanda Alexander, Save the Dolphins, Clubsound Remixes, MOK Couture, Marlene, Maria Hazell, Letta, Mastrax.

Illegal Alien released Illegal Alien XVI Years Vol 6 on Tue Nov 07 2023. The 0 track Techno release features Cari Lekebusch, Chontane, Fixon, Jessse, Mari Mattham, Orion, The Advent, and Uncertain. **Illegal Alien** has also released vinyl by [DJ Dextro](/artist/dj-dextro), [Off](/artist/off), [Grid](/artist/grid), [Jsprv35](/artist/jsprv35), and [Urban Groove](/artist/urban-groove). Browse the [Illegal Alien catalogue](/label/illegal-alien). People who like Illegal Alien XVI Years Vol 6 also listen to YOUTH, Stereo Explosion, Amanda Alexander, Save the Dolphins, Clubsound Remixes, MOK Couture, Marlene, Maria Hazell, Letta, Mastrax.

Flug

Ricardo Garduno

Mark Broom

Cari Lekebusch is a Stockholm-based sound architect alongsides other Swedish Techno profiles like Adam Beyer, Joel Mull, Alexi Delano and Jesper Dahlbäck. He has borne many pseudonyms over the course of his illustrious career to date including Fred, Mr Barth, Braincell, Shape Changer, Vector, and The Mantis to name a select few. Some of his earliest musical influences include James Brown, Ralph Lundsten, Herbie Hancock, African Bambaata, Egyptian Lover, Chris 'The Glove' Taylor, Kraftwerk, Mantronix as well as many of the hip-hop and electro sounds that emerged during the eighties. His parents had a vast vinyl collection as well which gave him ample opportunity to discover new sounds in his formative years. This eclectic range of inspiration continues to fuel his distinctive sound. From a young age Cari was determined to pursue a career in music; what started out as typical record collecting in the seventies eventually progressed into a desire to become a DJ. Before long he was also demonstrating his budding skills as a producer, using whatever electronic equipment he could muster to experiment with beats. In some respects he was seemingly following in the footsteps of his father who had operated an audio & video electronics store, agency and studio, known as Studio Lekebusch. Throughout the eighties his interests outside the music realm included graffiti art, breakdancing and a passion for kung fu, something which has remained with him to this day and helps to inspire him musically. Before embarking on a career in music, Cari completed a four year business program, in part to complement some of his future objectives which included establishing his own company; something he promptly did once he graduated and began a new chapter in his life. As with most DJs, Cari got his initial exposure performing at a variety of local venues, primarily at events in Stockholm, where he also organized his own nights on occasion. His first booking abroad was in nearby Helsinki towards the end of 1993 and was an important step in his young career; he had already realized that to seriously pursue his music career he would need to ultimately establish himself internationally, as his underground sound wouldn’t be viable in Sweden alone. The following year he made his debut in other European countries such as Germany, France and Italy as his tour schedule steadily grew. It was a breakthrough year in his career with the first releases on his inaugural label – Hybrid Sound Architectures, which later became known as H. Productions (a.k.a. H-Prod). He also had releases on another notable Swedish label at the time under his Vector and Rotortype monikers - Planet Rhythm. During this period Cari continued to expand his studio, known as HP HQ (H. Productions Headquarters) by enhancing his collection of various electronic gear including drum machines, audio processors and synthesizers. The launch of his own imprint enabled him to delve into his creative freedom at the utmost level of innovation and quality, acting as a core platform for his artistic visions. His efforts in the studio at the time came to fruition as numerous other pseudonyms were unveiled throughout this period including Phunkey Rhythm Doctor, Agent Orange, Mr. Barth and Braincell. Shortly afterwards his productions began appearing on other influential Swedish labels such as Adam Beyer’s Code Red, Truesoul and Drumcode, something which continued over the next decade as fellow compatriots continued to make their mark globally launching scores of other labels such as Jericho, Corb, Loop/Plumphouse and Svek. Frequent collaborations with other artists occurred at the time not only in the studio but also while on tour, either alongside countrymen during label nights or for select tours such as with Adam Beyer in 1998, which showcased a rare live performance to audiences on multiple continents. Subsequent years were peppered with many notable career highlights at the time including his first appearances in Asia and Australia, several North American tours plus an assortment of releases that garnered wide critical acclaim and helped to inspire a generation of producers. During the last half of that decade, Cari was a key ambassador in exporting the techno beats that proliferated from his homeland, a term which was then aptly coined by many as ‘Swedish Techno’. In addition to many other various label projects Cari has been involved with, he has continued to evolve the H. Production family of labels which ultimately led to the creation of Kaun Trax, Djupt, Audio Mekanixc, KGB, Trainspotters Nightmare, Audio Pollution and Grundtakt - an experimental hip hop label. After close to two decades in this highly competitive industry, his success is hardly ephemeral. He has been invited to perform regularly at many of the highest profile techno clubs and events around the globe, including Awakenings, Fuse, Tresor, Fabric, Berghain, Omen, E-Werk, Avalon, U60311, The End, Cocoon at Amnesia, Fabrik, Rex Club, Liquid Room, F135, Sona, Twilo, Rohstofflager, plus well-known festivals such as I Love Techno, Time Warp, May Day, Awakenings and Nature One. An impressive repertoire of releases to date have materialized from his HP HQ studio and permeated into the crates of the global electronic music community. Cari’s work has also been featured on a myriad of labels in addition to his own reflecting an array of genres, including releases on Swedish imprints such as Drumcode, Code Red, Truesoul, Jericho and Corb, plus tracks on other prominent labels such as Novamute, Soma, Primevil, Masters of Disaster, Fine Audio Recording, Harthouse and Turbo to name a few. Various studio projects over the years ranging from techno to hip hop have also seen him collaborate with a number of producers including childhood compatriots Alexi Delano and Fredrik Almquist aka RND as well as others such as Jesper Dahlbäck, Robert Leiner, Damon Wild, Oliver Bondzio and Dan Zamani. With a steady stream of releases and a perpetual global tour schedule, Cari shows no signs of hanging up the headphones any time soon; even at the height of his career he continues to hone his craft daily, previously citing: “I try to make music regularly and try to constantly figure out new things. I reckon it’s like science, you need to do it every day to continue evolving”. Much like his evolution as an artist, in more recent years he has also expanded his H-Prod company to include a graphic design venture with further plans on the horizon as his company and career continue to develop, potentially into the cinema and videogame realm. He has come a long way in his career from his humble beginnings many years ago and one can presume that Cari will work diligently to achieve his future plans with the quiet confidence he has exuded throughout his career. Bob Dylan once said that a man is a success if he gets up in the morning and gets to bed at night, and in between he does what he wants to do. And by that measure Cari Lekebusch has undoubtedly triumphed.

Cari Lekebusch

Chontane

Fixon

Jessse

Mari Mattham

Orion

London based Cisco Ferreira, or ‘The Advent’, can be described in many ways: a musician, a pioneer, a sound designer, a steady force, one persistent m*therf*cker, a rebel, an icon, an outsider, a great live artist... Mostly though, The Advent is known for his interpretation of what we call Techno. Ever since young Portuguese Cisco discovered Acid House in the London clubs he frequented, his journey has been about making his mark on the electronic music scene. Or, as he recently put it himself: “I’ve been doing this for quite a few years and I’m not going anywhere.” This sums it up pretty well; you won’t see Ferreira naked, shooting promo videos carrying a dog, or hear him publically worrying about the sincerity of the average EDM jockey. He’s everything about techno you’ve learned to love, without the circus you’ve learned to accept. Fresh out of college, Cisco’s hunger for sound landed him a job as assistant sound-engineer in several recording studios. There he learned about the art of translating feelings to frequencies, while at the same time recording various high profile artists from the world of Rock, Pop, Dance, and Reggae. When acid label ‘Jack Trax’ moved in next-door, Cisco started recording for the likes of Adonis, Fingers Inc, Marshall Jefferson, and Derrick May. These rendezvous sparked the inspiration for his first EPs on R&S and Fragile. In 1994 Ferreira signed a record deal for 12 EPs and 3 albums together with Colin McBean. This was the beginning of an era during which the duo set a worldwide standard for high quality underground Electro and Techno. They hit the world with a refreshing sound, both as The Advent, and ‘G Flame (Cisco) and Mr G’, the alias Colin is still using. Nowadays The Advent is a solo project, bombarding crowds around the world with its trademark raw, energetic sound. A sound that grants him yearly slots at festivals as Nature One, Awakenings and Bonusz, as well as regular shows in clubs as Berghain and Tresor in Berlin, Lehmann in Stuttgart, and Madrid’s Fabrik. He hasn’t given up cooperating with likeminded artists though! In 2007 he met Ricardo Rodrigues aka Industrialyzer, in whom he recognised an attitude similar to his own. They are both from Portugal, both self-made, and the both have a clear vision of what techno should sound like. As a duo they’re at least as popular as they are as individual artists, playing sold out shows wherever they go, and steadily creating an impressive combined oeuvre.

Illegal Alien XVI Years Vol 6

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