The San

People who like The San also listen to The Dreaded Marco, Look Left, Tyrants & Kings, 2nd Day Crush, Otto Vector, Spirit Creek, Run Over Dogs, Paco Estrada, Shuffle, Left.

Scape released The San on Thu Feb 16 2006. The 3 track House release features Portable. **Scape** has also released vinyl by [Pole](/artist/pole), and [Deadbeat](/artist/deadbeat). Browse the [Scape catalogue](/label/scape). People who like The San also listen to The Dreaded Marco, Look Left, Tyrants & Kings, 2nd Day Crush, Otto Vector, Spirit Creek, Run Over Dogs, Paco Estrada, Shuffle, Left.

Audio Werner

Baby Ford

Alan Abrahams AKA Portable AKA Bodycode has been in motion his whole life—growing up in South Africa, coming of age in London, decamping to Lisbon and finally settling in Berlin—and his deeply syncopated brand of electronic dance music has evolved with every step of the journey. His formative years were spent in an impoverished Cape Town township ironically tagged “Beverly Hills”, and to the backbeat of the first wave of Chicago house records he emerged out of the ruins of a post-apartheid South Africa. Inspired musically, yet frustrated geographically, he relocated to London in 1997. In London, Abrahams began recording as Portable, the experimental, atmospheric project that acts a living link between the indigenous sounds of his youth, and those first records whose futuristic aesthetic broadened his horizons. He founded the Süd Electronic label with his partner Lerato and released a string of 12' releases. A succession of full-length albums followed - Cycling and Futuristic Experiments #005 on Background, Version on ~scape records, and the Powers of Ten for Süd Electronic in 2007. A rich and expansive record, Powers of Ten further explored his African heritage through a new lexicon of sonic influences, acquired from his time living in Portugal. Upon moving to Lisbon, Abrahams conceived of Bodycode, a more dancefloor-centric project that complements Portable’s headier textures with a more body-moving aesthetic. As Bodycode, Abrahams harnesses his desire to “unlock the psyche via the body,” layering tech-funk with wisps of melody, heady effects, and a liberal wash of otherworldly vocal samples. Somewhere between the beats for the body and melody for the soul, Abrahams believes, lies the Bodycode. The result was Bodycode’s first full-length, The Conservation of Electric Charge, a whirlwind of percussive, multi-layered techno released on Spectral Sound in 2006. After a three-year absence, Abrahams resurrected the moniker for second Spectral full-length, 2009’s Immune, an intricately textured album of vocal-laced house. “I just felt it a good time for a warm, nurturing aesthetic,” says Abrahams of Bodycode’s shift in tone, “We need that right now.”

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