People who like 61 Center Returning Volume 2 also listen to Dadub, Shifted, Rrose, Conforce, Giorgio Gigli, Xhin, Cassegrain, DSCRD, Donor, Dino Sabatini.

Time To Express released 61 Center Returning Volume 2 on Wed Nov 03 2010. The 3 track Techno release features Peter Van Hoesen, Sendai, and Sp X. **Time To Express** has also released vinyl by [Wata Igarashi](/artist/wata-igarashi), [Voices From The Lake](/artist/voices-from-the-lake), [Bee Mask](/artist/bee-mask), [Marco Shuttle](/artist/marco-shuttle), and [Dario Zenker](/artist/dario-zenker). Browse the [Time To Express catalogue](/label/time-to-express). People who like 61 Center Returning Volume 2 also listen to Dadub, Shifted, Rrose, Conforce, Giorgio Gigli, Xhin, Cassegrain, DSCRD, Donor, Dino Sabatini.

Belgium’s Peter Van Hoesen is considered as one of techno’s tastemakers but never has been that typical techno artist. Peter is someone who sculpts sounds for many different environments - the club, the home, the gallery or even the museum. He does so with a true sense of personality. On his own label Time to Express he releases textural compositions and he also records to great acclaim as Sendai alongside Yves De Mey. In performance terms, Peter lays down dark and arresting techno sets as well as captivating, story telling live musical journeys. Because of that he is renowned around the world for his high quality, high creativity, high levels of consistency, constantly translating his personality into his music.

Peter Van Hoesen

Both artists are longtime friends who share a deep passion for exploring the outer limits the electronic music. This is evidenced on their own label, Archives Intérieures, which puts out an arresting array of sounds, consistently challenging the norm. After full lengths in 2012 and 2014 on Time To Express and Archives Intérieures respectively, December 2016 saw Sendai unveil ‘Ground and Figure’ on Editions Mego. Across ten tracks, it finds the pair working in a more economic framework, making for a vast and spacious journey through texture and tone, atmosphere and abstraction. The Sendai sonic landscape displays a duo in full control of their musical direction. Contrary to their previous outings, the pair’s working method became a real hybrid form, crossbreeding analog and digital, allowing the produced tracks more room to shift, swirl and swim around the circumference of the audio spectrum. Essentially then, Sendai is about machine music and hypnotic disorientation. When this duo gets to work in either the studio or on stage, a thudding, pulsating and shapeshifting experimental beast that lives in its own unique world, is summoned.

61 Center Returning Volume 2

About 61 Center Returning Volume 2