People who like Divide and Rule Part 1 also listen to Iszoloscope, Synapscape, vromb, Asche, P.A.L, Imminent Starvation, Converter, This Morn' Omina, Ah Cama-Sotz, Imminent.

Pi Electronics released Divide and Rule Part 1 on Fri Feb 19 2021. The 3 track Techno release features Fragedis, Jk Flesh, Orphx, and Vofa. **Pi Electronics** has also released vinyl by [3 14](/artist/3-14), [Tv Out](/artist/tv-out), [Alessandro Adriani](/artist/alessandro-adriani), [Adam X](/artist/adam-x), and [Peder Mannerfeldt](/artist/peder-mannerfeldt). Browse the [Pi Electronics catalogue](/label/pi-electronics). People who like Divide and Rule Part 1 also listen to Iszoloscope, Synapscape, vromb, Asche, P.A.L, Imminent Starvation, Converter, This Morn' Omina, Ah Cama-Sotz, Imminent.

Fragedis

Justin K. Broadrick’s output is an intimidating one. Not because it is so incredibly raucous and dirty-sounding, for the most part. It’s just that there is so much of it. His earliest venture began, aged 15, with the recording of his first—and last—record with Napalm Death. From there he formed pioneering industrial metal group Godflesh, who released a slew of seminal albums on Earache throughout the ’90s. In the meantime he’d met Kevin Martin, AKA The Bug, and began experimenting with everything from dub and techno to hip-hop, breakbeat and rowdy ambience as Techno Animal. Together they produced four albums under the moniker, plus a collaboration with Porter Ricks, ultimately bowing out on the monolithic ‘The Brotherhood Of The Bomb’ for Matador in 2001. In 1999 Broadrick founded Avalanche Recordings, which would serve as an outlet for some of his more expansive millennial work, namely as Final, Jesu and JK Flesh. Jesu was born from the ashes of Godflesh, a deeply genuine and emotional project that channeled all the raw anguish of his former band into more contemplative post-industrial and shoe-gazing song-structures. Final, a minimal ambient-guitar project—which actually pre-dates Godflesh—was recently picked up by Downwards, who put out the seven-track double vinyl ‘Black Dollars’ at the start of 2016. They backed ‘Nothing Is Free’ next, complete with Surgeon remix, credited this time to Broadrick’s JK Flesh guise. There’s also the somber and ethereal Pale Sketcher alias, which grew out of a remix album of Jesu material on Ghostly International. JK Flesh debuted proper in 2012 with the album ‘Posthuman’ on 3BY3, but it’s lineage can be traced right back to Kevin“K-Mart” Martin and the pair’s psychedelic industrial techno project, The Sidewinder, which was picked up by Mille Plateaux in 1996. The studio pet-name would later become his surly alter-ego, as Broadrick explained to Resident Advisor in a 2012 interview: “Any remix I would do which had beats that were hard and involved any form of noise or sense of foreboding or threat, I would use the JK Flesh moniker. JK Flesh is the angry, hateful, disenchanted side of what I do with electronic beat-driven, bass-driven music. It’s got a lot more to boot.” And it does. There’s been the stinging ‘Worship Is The Cleansing Of The Imagination’ since, a split with Dominick Fernow as Prurient, and this year’s ‘Suicide Estate’ EP on Fernow’s own Hospital Productions. Now Electric Deluxe has the honour of bringing the next unrelenting JK Flesh album kicking and screaming into the world. Batten down the hatches and prepare for a perilous ride. Bio by Holly Dicker

Jk Flesh

One of the most highly respected acts in both techno and industrial circles, Orphx (Rich Oddie and Christina Sealey) have been refining their signature fusion of hypnotic rhythms and experimental noise for many years. They began in the early 90s with a raw sound inspired by old school industrial but soon began incorporating elements of dub, techno and electro into their work. Orphx built up an international following as one of the pioneering acts within the European 'rhythmic noise' scene. More recently their work has come to the attention of techno fans through a series of acclaimed releases on the Sonic Groove label, collaborative work with the likes of Ancient Methods and Justin Broadrick, and remixes for many artists including Conrad Schnitzler, Front Line Assembly, Oscar Mulero, Perc, and Svreca. Oddie and Sealey have performed around the world at celebrated venues such as Berghain and Tresor, and festivals such as Berlin Atonal, Movement, Mutek, and Unsound. They are renowned for their improvised performances, combining software with modular synthesizer and other hardware. Building on a sprawling back catalogue that stretches across industrial, ambient, and techno, their recent output has demonstrated that Orphx are both pioneers and innovators in the fusion of rhythm and noise. - Pull Proxy

Divide and Rule Part 1

About Divide and Rule Part 1