Zehn/Zwei

People who like Zehn/Zwei also listen to Answer Code Request, Norman Nodge, Fiedel, Truncate, Jonas Kopp, Etapp Kyle, Truss, Markus Suckut, Anthony Parasole, Marcelus.

Ostgut Ton released Zehn/Zwei on Sat Feb 13 2016. The 3 track Techno release features Efdemin, Kobosil, and Marcel Dettmann. **Ostgut Ton** has also released vinyl by [Paula Koski](/artist/paula-koski), [Justine Perry](/artist/justine-perry), [Inox Traxx](/artist/inox-traxx), [Planetary Assault Systems](/artist/planetary-assault-systems), and [Jasss](/artist/jasss). Browse the [Ostgut Ton catalogue](/label/ostgut-ton). People who like Zehn/Zwei also listen to Answer Code Request, Norman Nodge, Fiedel, Truncate, Jonas Kopp, Etapp Kyle, Truss, Markus Suckut, Anthony Parasole, Marcelus.

Levon Vincent

Blue Hour

Calm, cool and collected, Efdemin’s music is infused by elegant darkness, discreet beauty and the complete lack of jittery. With LPs and 12-inches for Dial, Curle and Ostgut Ton, his remixes (e.g. Depeche Mode), his Pigon project together with RNDM or his drone and ambient pieces under his original name Phillip Sollmann for instance, Efdemin is equally at home in very different circles. In the world of art as much as in the techno realm, and while moving from intelligent pop quotes into the universe of Sun Ra, he does the splits effortlessly and without overstretching it. A sonic thesaurus like his second album Chicago finds his place in Efdemin’s body of work as well as the stripped down funk of “Just A Track”, the urgency of “Acid Bells” or the straightforwardness of “Bergwein”. Going well along with all those gestures and desires is his own Label naïf. Accordingly named and vinyl only, it’s his outlet to release music from friends and allies that is close to his heart.

Efdemin

Born and raised in the working class district of Berlin Neuko?lln, his musical aesthetic is shaped not only by his upbringing but also the cathartic energy of EBM, noise and industrial. Aside from releasing regularly on Berghain's in-house label Ostgut Ton, Kobosil also runs his own R - Label Group imprint, which he uses as a platform to promote releases by up-and-coming Berlin producers at the forefront of a bleak and riotous approach to dance music. It’s this combination of the dark and ecstatic that is at the foundation of Kobosil’s powerful approach to techno.

Kobosil

Widely associated with Berlin and institutions Berghain and Hard Wax, Dettmann has remained true to his roots by consistently seeking to innovate electronic music, particularly in regards to integrating visual art and techno. Raised in the former GDR, Dettmann developed his passion for electronic music early, counting new wave, post-punk and industrial music as his strongest influences – long before discovering techno and eventually immersing himself in it. Since the early 90s he has been a fixture in Berlin as both an artist and DJ, becoming a resident at OstGut in 1999. He has also held a residency at OstGut's successor Berghain since its opening in 2004 until today. Dettmann’s productions for his own MDR imprint and Ostgut Ton, as well as his compilations and mixes for fabric, Music Man, !K7 and Dekmantel sit between contemporary techno and pre-techno, providing a unique aesthetic at once reduced and rough, emotional and unpredictable.

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