People who like Prothesis also listen to Marcello Napoletano, Red Rack'Em, Lerosa, Anton Zap, Wbeeza, Black Jazz Consortium, Marcellus Pittman, DJ Qu, Smallpeople, Lowtec.

Finale Sessions released Prothesis on Mon Dec 20 2010. The 3 track House release features Luke Hess, Tom Diciddo, and Fred P. Finale Sessions has released vinyl by Basic Soul Unit, Joey Anderson, Vincenzo, Amir Alexander, Hakim Murphy, Fred P, Miles Sagnia, Carlos Nilmmns, Dave Pezzner, Opolopo, Santiago Salazar, Steven Tang, Xdb, Luke Hess, and Volta Cab. People who like Prothesis also listen to Marcello Napoletano, Red Rack'Em, Lerosa, Anton Zap, Wbeeza, Black Jazz Consortium, Marcellus Pittman, DJ Qu, Smallpeople, and Lowtec.

Luke Hess [DeepLabs / FXHE / Planet-e / Echocord] Detroit, MI USA Born in 1980 in Metro Detroit and subject to the city's mid-90's warehouse parties, Luke Hess has harnessed a deep appreciation for electronic music and the expression of the underground movement. His background in mathematics and engineering has given him a scientific approach to the dance-floor, using frequencies, tones, and soundscapes to transform surroundings and mood. Luke's faith based music production landed him a seat with Omar S' FXHE label & Carl Craig's Planet-e label in Detroit. Hess has celebrated original productions and remix material on labels such as DeepLabs, FXHE, Planet-e, Dolly, Motech, Rekids, Echocord, Kontra-Music, Modelisme, Ornaments, Echocord Colour, & more. In 2009, Luke released his first album, 'Light in the Dark' on Denmark-based record label, Echocord. 'Light in the Dark' received glowing reviews and was hailed by many as one of the best deep techno albums of the year. His second artist album 'Keep On' was release on CD in 2012 and on 2x12' vinyl in 2013 and received a superb score of 4.5/5 & recommended review on Resident Advisor. With over 15 years of DJ experience and many notable LIVE sets across the world, Luke is regarded as a perfectionist on stage. Hess is known to layer his sets in a very detailed, hypnotic, & soulful manner. After playing many notable venues & festivals such as Detroit Electronic Music Festival, Awakenings Festival, Berghain & Panorama Bar - Berlin, Dimensions Festival, ENTER. - Ibiza, Fabric - London, Unit - Tokyo, De School - Amsterdam, Culture Box - Copenhagen, OUTPUT - NYC, Decibel Festival - Seattle, Bassment - Hong Kong, Concrete - Paris, Dude Club - Milan, +++, he is excited to continue exploring the world stage and introducing new and old fans to his raw & deep breed of Detroit techno. Luke's continued hard work in the studio & behind the decks combined with his unyielding interest in technology and sound will no doubt stimulate the boundaries of electronic music. Europe / Asia Bookings: a @ viceversaagency.com North America Bookings: a @ viceversaagency.com South America Bookings: bookings @ konnekt.com.br

Luke Hess

Tom Diciddo

“Deep”, perhaps the word most associated with the career of Fred P, and for once, an accurate portrayal. Eleven albums, innumerable releases and decades of Djing into his career, the New York-turned-Berlin resident continues to push further into his own sound, craft, and mind. For those fortunate enough to be present for one of Fred's cathartic, physical and spiritual DJ sets, the dancefloor is not just a place for enjoyment, but for potential. That opportunity for potential – his own, yours, that of our collective consciousness – has long-been the earnest pursuit of Fred P, channeled expertly through his evolved and deeply personal exploration of house and techno music. His futurist approach is inspired as much by the scene's bonafide revolutionaries, Frankie Knuckles to David Morales and Danny Tenaglia, as his own futurist philosophy, weaved together from a glorious patchwork inspired by an ever-expanding network or thinkers, collaborators, and international encounters. If this all sounds rather academic, then any appearance from Fred P will cement the sound of his vision. Years dancing at New York nightspots such as Red Zone, Sound Factory and Tunnel proved to be the sort of open-minded education that cannot be bought, cannot be sold and cannot be hyped. Here, among an eclectic cast throng of consciously aligned fellow party-goers, Fred P learned pleasure and patience from extensive record collections that often went some way to suggest that less can mean more. It's a confidence that runs through his music and Djing, and most recently earned him a quarterly residency split between London's twin clubs, Oval Space and Pickle Factory, sharing the bill with like-minded contemporaries. He was also handed control of the club's sound system for several all-night sessions, a favorite format of his, creating space to conjure a unique, sensual and almost psychedelic early morning atmosphere that the New York native is almost notorious for being able to conjure like few others (refer to his own cult classic, '6AM' for a seductive glimpse of this particular sound.) All this in mind, what's the eventual aim? “Like-minds together, to raise each other's consciousness”, he considers. “And with that, you can have an experience. I'm all for that because I know music can be medicine. Meditation... It's a gift for everybody. So to use it with intent but not self-interest – which is very difficult nowadays – it's all about the time you're given and the quality of what you decide to do with that time.” Time passes, for better or worse, and with that, change must be embraced. 2018 sees Fred P bring his acclaimed Soul People Music outlet to an end and embrace a new label, Perpetual Sound. Launching with a new recording for arguably his best-loved alias, Black Jazz Consortium, the label will be guided solely by his proven eye for emotion and evolution, anticipating new collaborations and styles. That first release was a statement, tellingly titled ‘Evolutions’, adorned with a retro-futurist cover that harks back, perhaps with a sigh, to retro-sixties futurism. On the cusp of an AI revolution, in the midst of political, cultural and social tension and disruption on an international scale, Fred P is determined to ensure optimism and futurism lead forward his practice. “The 20th century was big on originality... The 21st century, so far, not too much”, he reflects. “That attitude in general, towards everything, pushes this singular ethos. The us or nothing bullshit. So what's standing in the way of the obvious stuff? What is the end goal? The end goal is to fully embrace our potential and to remove the things that hold us back: Greed, envy, and self-interest. To embrace a more humanitarian approach Not just for ourselves, but for our species.”

Luke Hess / Tom Diciddo / Fred P - Prothesis

Finale Sessions

Format: Vinyl

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