People who like Boom Boom also listen to Kevin Saunderson, Octave One, Stacey Pullen, Gary Martin, Orlando Voorn, K-Alexi, Scan 7, Blake Baxter, Floorplan, Matt Tolfrey.

Detroit Wax released Boom Boom on Mon Mar 02 2015. The 2 track House release features Eddie Fowlkes. **Detroit Wax** has also released vinyl by [Assuiduous](/artist/assuiduous), and [Amp Fiddler](/artist/amp-fiddler). Browse the [Detroit Wax catalogue](/label/detroit-wax). People who like Boom Boom also listen to Kevin Saunderson, Octave One, Stacey Pullen, Gary Martin, Orlando Voorn, K-Alexi, Scan 7, Blake Baxter, Floorplan, Matt Tolfrey.

Eddie Fowlkes is the history of Detroit Techno and not just because his handprints are cemented on the Detroit Historical Museum’s “Legends Plaza.” His 30+ years of moving a dancefloor and his 150+ deep catalog of soulful classics speak for themselves. After attending a 1978 Charivari party with his older sisters where he saw DJ Darryl Shannon mixing records, Eddie requested a mixer for Christmas. From that time on he mastered the art of DJing leading to his first release in 1986. That release on Metroplex Records, “Goodbye Kiss,” helped establish what would come to be known as Detroit Techno. In the 1980s, he performed with three turntables, a mixer, wah-wah pedal and the 808 & 909 drum machines and this revolutionary style of DJing pushed the boundaries of what a disc jockey could be. In 1993, Eddie Fowlkes found a name for his distinct sound: Techno Soul. Techno Soul is Detroit techno, 70s funk, the Motown sound, Parliament, and Chicago house. Eddie’s DJ sets reflect his productions that are an evolution in one track, from house to techno and back again. Eddie has many recordings and remixes on major labels and independents dating back to 1989 (Elektra Records, Sony, BMG, Warner Brothers, Azuli, Tresor, P.I.A.S). Of the Detroit originators, Eddie is not simply just a great DJ or just a great producer - he is equally strong in both avenues. Eddie never rested on his laurels but has always worked hard. He continues to create, to push boundaries, to release music on his two imprints (City Boy Records and Detroit Wax Records), to charm dancefloors worldwide, and to represent Detroit musical talent at its best.

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