Carnal

People who like Carnal also listen to Shifted, Polar Inertia, Rrose, Claudio PRC, DSCRD, Forward Strategy Group, Xhin, Dino Sabatini, Abdulla Rashim, Milton Bradley.

Killekill released Carnal on Thu May 17 2012. The 4 track Techno release features Cassegrain, and Tin Man. **Killekill** has also released vinyl by [Mininum Syndicat](/artist/mininum-syndicat), [Black Davil](/artist/black-davil), [Wellen Brecher](/artist/wellen-brecher), [Kamikaze Space Programme](/artist/kamikaze-space-programme), and [Blake Baxter](/artist/blake-baxter). Browse the [Killekill catalogue](/label/killekill). People who like Carnal also listen to Shifted, Polar Inertia, Rrose, Claudio PRC, DSCRD, Forward Strategy Group, Xhin, Dino Sabatini, Abdulla Rashim, Milton Bradley.

Donato Dozzy

John Tejada

Alex Cortex

Cassegrain

Tin Man is an artist in the truest sense of the word. Over the last decade now the man born Johannes Auvinen has explored an ever evolving sound palette that touches on house, techno and ambient. Much like his namesake’s character in the Wizard of Oz, he has been on a mission to find his true self, except this Tin Man’s medium has been music. Most recently the California born producer and live act has been responsible for reinvigorating the acid scene with his unique and cerebral manipulations of real Roland 303s. His tracks have been laced with slow and subtly shifting patterns that are infused with a very real machine soul and exude captivating warmth. Taking influences from “Chicago and radio pop rock as well as melancholic UK electronics and Sahkö” Tin Man’s extensive discography also explores less sublime and seductive sounds on labels like Keys of Life and Acid Acid, and plenty of raw sonics on albums like Scared. He is also part of The Acid Symphony Orchestra (a live super group that features artists playing on ten 303, 707 and 808) and has turned out a standalone neo-classical and ambient work, Vienna Blue, which proves he does so much more than pure dancing music. “I started fiddling with music when I was in college,” he says. “I was collecting records, anything electronic; from ambient to techno to computer music. When I was out of school, and had steady work, I bought some gear and then tried imitating the music I liked with mixed results.” Before long though he found a sound that was truly his own and has continued to do so over and over again ever since. This modern acid master plays live on 303s, 707s and plenty more bits of hardware, always creating textured soundtracks on the flying using a range of FX and skills built up over the last decade. He never fails to make people dance to his beat whether he’s playing festivals in Japan, influential clubs in Europe or dirty back rooms across America and puts most similar acts to shame.

Carnal

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