Shutdown The System

People who like Shutdown The System also listen to AS1, Dark Vektor, Scape One, Dynamik Bass System, Umwelt, Silicon Scally, Luke Eargoggle, Dynarec, Volsoc, The Exaltics.

Drivecom released Shutdown The System on Wed Aug 10 2005. The 4 track Electro release features Boris Divider. **Drivecom** has also released vinyl by [Emulador](/artist/emulador), [Groof](/artist/groof), [Hd Substance](/artist/hd-substance), [Spectrum Data Forces](/artist/spectrum-data-forces), and [Scape One](/artist/scape-one). Browse the [Drivecom catalogue](/label/drivecom). People who like Shutdown The System also listen to AS1, Dark Vektor, Scape One, Dynamik Bass System, Umwelt, Silicon Scally, Luke Eargoggle, Dynarec, Volsoc, The Exaltics.

Annie Hall

Emulador

Well known for the Electro side, since late nineties Boris Divider is producing electronic music under several names and alias, always in touch with the darker minimal and progressive electronics. He also got influences on the one hand from the first ebm waves, industrial/dark electronic scene and on the other hand from the old school electro and hiphop movement that appeared on the streets of his Madrid city in the early nineties. Cult bands such as Kraftwerk, Tangerine Dream, YMO, Vangelis... or SciFi film composers like John Carpenter, Brad Fiedel or David Chronenberg are main background to understand his music, and this helped him to start making music with computer trackers, tape decks, sequencers and synths creating a several electronic projects around year 1992. But it was not until late 2001 he joined PSI49NET A. Rother’s label, with a demo called “Integrated Lives” (1999-2000), and officially presented in early 2002 through the 'Electro Commando 1 Welcome To PsiCity' compilation. Besides that, with some productions in the queue and trying to boost his own works he brought to the light his main project called DRIVECOM in 2003. The label got a very good response around the electronic community and it became as one of the most important reference of Electro and maybe the most representative label of this kind from Spain. Now its discography includes classic tracks like “People Love Machines” (2003), “Shut Down The System” (2005), or the great “La Hora De Las Maquinas” (2006) album. B. Divider’s works appeared not only on his label. You can find exclusively tracks on Satamile, Monotone, MSX, Semantica... imprints with an always anticipated vibe and his releases have got an international respect over the years. They have been charted and supported by the most important electro and techno djs around the world: Dave Clarke, Hardfloor, The Advent, Adam X, Exzakt, Umwelt... From the classic tunes like “Take My Beat” (2003) or “Mundo Conectado” (2006) to the last decade releases such as “Electronics” (2010), “The Last Resistance” (2010), and also the rare and limited “Ultralink” (2010) minialbum released on avant-electronics Semantica imprint. The most recent collaboration in 2011 leads him to work with Hardfloor and E.R.P. on “You Know The Score” (2011) with a dark, and smooth remix. With the great album “The Source” (2012) finally Boris Divider establishes a new path on his career and open his mind to a new frontiers focused into the sequential and progressive electronic music, refreshing the links between the past and the future, and giving the stage for new productions such as the forthcoming “Aeon” and “Surface” episodes... As a musician, one of the strongest points is actually his audiovisual live act. Performing sequencer, synths, keyboards and visuals controlled by MIDI in realtime, making each show different since each track is developed on the air for the audience. After almost ten years performing around the world he has received a good response and high rating from the crowd in countries such as Germany, USA (Miami / Detroit), UK, Netherlands, Finland, Croatia, Slovenia, Ireland, Malta, Spain... and playing in the most important events and clubs: Sonar Festival (ES), Amsterdam Dance Event (NL), Life Festival (IE), ..., taking his beats and sequences into the audience bodies.

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