Various Vol 1

Barcelona record shop for electronic vinyl spanning house, techno, deep house, minimal, disco, Afro and beat-driven music.

Dancing Vinyl

Brussels record shop combining new international releases with hand-picked second-hand house, techno and electro.

Sono Ventura Records

People who like Various Vol 1 also listen to Kin Ping Meh, Gomorrha, Birth Control, Frumpy, Kraan, Aera, Wallenstein, Rufus Zuphall, Grobschnitt, Krokodil.

Phonogramme released Various Vol 1 on Mon Oct 28 2024. The 4 track House release features Abacus, Byron The Aquarius, Felipe Gordon, and Fred P. **Phonogramme** has also released vinyl by [Vakula](/artist/vakula), [Ldf](/artist/ldf), [Javonntte](/artist/javonntte), [Jacksonville](/artist/jacksonville), and [Steve O'sullivan](/artist/steve-o-sullivan). Browse the [Phonogramme catalogue](/label/phonogramme). People who like Various Vol 1 also listen to Kin Ping Meh, Gomorrha, Birth Control, Frumpy, Kraan, Aera, Wallenstein, Rufus Zuphall, Grobschnitt, Krokodil.

Abacus

When Byron The Aquarius talks about live frequencies, his enthusiasm is infectious. A keys player by trade, Byron’s love for melody and harmony has consistently drawn the attention of electronic music’s leading labels and producers. Hailing from Birmingham, Alabama, Byron launched his production career in 2007, collaborating with well-known Parisian producer Onra on an EP entitled “The Big Payback.” That collaboration led to numerous releases on independent labels like Rush Hour, Warp (with Flying Lotus), HHV, Circulations, Reebok Classics A Journey into Future, Real Soon, and Giant Step Records. In 2010, Byron signed to a production deal with Denaun Porter from D12 (Eminem producer). It was at Denaun’s studio in Detroit that Byron realized he wanted to make his own music and bravely returned to Alabama to hone his craft through jazz studies and jazz composition programs in piano at Morehouse University and Jacksonville State University. In 2015, Byron released a ten track solo album on BBE entitled “Planets of Love.” When he wasn’t working on his own music, he was playing keys in the studio with Kai Alce. Their creations got into the hands of Theo Parrish, who loved the sound of the sublime jazz-infected house and picked two tracks to release on his legendary Sound Signature label in 2016. The resulting “Highlife EP” has been hailed as 'stunning', 'intoxicating' and 'essential.' So what’s next for Byron The Aquarius? In April, Byron drops a project entitled “Gone Today Here TMRW” on Kyle Hall’s esteemed Detroit label, Wild Oats. He’ll also be heading out on tour for the summer and performing at the Dimensions Festival in May. Wherever Byron is -- in the studio working on music, performing live, or DJing – you can be sure 2016 will be filled with the sound of live frequencies.

Byron The Aquarius

Felipe Gordon

“Deep”, perhaps the word most associated with the career of Fred P, and for once, an accurate portrayal. Eleven albums, innumerable releases and decades of Djing into his career, the New York-turned-Berlin resident continues to push further into his own sound, craft, and mind. For those fortunate enough to be present for one of Fred's cathartic, physical and spiritual DJ sets, the dancefloor is not just a place for enjoyment, but for potential. That opportunity for potential – his own, yours, that of our collective consciousness – has long-been the earnest pursuit of Fred P, channeled expertly through his evolved and deeply personal exploration of house and techno music. His futurist approach is inspired as much by the scene's bonafide revolutionaries, Frankie Knuckles to David Morales and Danny Tenaglia, as his own futurist philosophy, weaved together from a glorious patchwork inspired by an ever-expanding network or thinkers, collaborators, and international encounters. If this all sounds rather academic, then any appearance from Fred P will cement the sound of his vision. Years dancing at New York nightspots such as Red Zone, Sound Factory and Tunnel proved to be the sort of open-minded education that cannot be bought, cannot be sold and cannot be hyped. Here, among an eclectic cast throng of consciously aligned fellow party-goers, Fred P learned pleasure and patience from extensive record collections that often went some way to suggest that less can mean more. It's a confidence that runs through his music and Djing, and most recently earned him a quarterly residency split between London's twin clubs, Oval Space and Pickle Factory, sharing the bill with like-minded contemporaries. He was also handed control of the club's sound system for several all-night sessions, a favorite format of his, creating space to conjure a unique, sensual and almost psychedelic early morning atmosphere that the New York native is almost notorious for being able to conjure like few others (refer to his own cult classic, '6AM' for a seductive glimpse of this particular sound.) All this in mind, what's the eventual aim? “Like-minds together, to raise each other's consciousness”, he considers. “And with that, you can have an experience. I'm all for that because I know music can be medicine. Meditation... It's a gift for everybody. So to use it with intent but not self-interest – which is very difficult nowadays – it's all about the time you're given and the quality of what you decide to do with that time.” Time passes, for better or worse, and with that, change must be embraced. 2018 sees Fred P bring his acclaimed Soul People Music outlet to an end and embrace a new label, Perpetual Sound. Launching with a new recording for arguably his best-loved alias, Black Jazz Consortium, the label will be guided solely by his proven eye for emotion and evolution, anticipating new collaborations and styles. That first release was a statement, tellingly titled ‘Evolutions’, adorned with a retro-futurist cover that harks back, perhaps with a sigh, to retro-sixties futurism. On the cusp of an AI revolution, in the midst of political, cultural and social tension and disruption on an international scale, Fred P is determined to ensure optimism and futurism lead forward his practice. “The 20th century was big on originality... The 21st century, so far, not too much”, he reflects. “That attitude in general, towards everything, pushes this singular ethos. The us or nothing bullshit. So what's standing in the way of the obvious stuff? What is the end goal? The end goal is to fully embrace our potential and to remove the things that hold us back: Greed, envy, and self-interest. To embrace a more humanitarian approach Not just for ourselves, but for our species.”

Various Vol 1

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