SSMX02: thatmanmonkz mix (Shadeleaf / Classic / Delusions of Grandeur)

Some people curate, some people mix, some people produce. thatmanmonkz does all 3.

Scott Moncrieff is a Sheffield based recording artist, DJ, and label boss at his own Shadeleaf Music. He manages to tread that fine line of simultaneously picking up props from all angles and wrecking dance floors the world over, whilst remaining resolutely underground and focused on the more interesting corners of dance music. He releases on Delusions of Grandeur, Kolour LTD, and Classic and his recent debut album “Columbusing” was a fine document that touched on authentic deep house, funk and soul with plenty of proper song structures and real vocalists amidst the underground club heaters.

We’ve been a big fan of his music for a few years so thought it was time to learn more about him, and we scored a house masterclass in the form of a mix that covers the Detroit sounds of Moodymann and Leron Carson, the edits of Popular Peoples Front and Jamie 326, and the disco sounds of The Jacksons.

Whats been happening in your world recently?

So, I’ve been on my grind as usual really.. After releasing my debut album earlier this year (“Columbusing” on Delusions Of Grandeur) I thought I might get to chill back a little, but, that definitely hasn’t been the case! I’ve had remixes out for the likes of Diz and Inkswel amongst others, an original track on Kon’s BBE compilation, and also have remixes due for Amp Fiddler, Kraak and Smaak, and J Kriv all slated for this year. I’ve also been producing a hip hop album with my man Malik Ameer (under our Madison Washington moniker), and have just started writing some new thatmanmonkz material recently too. Between all of that, gigging more frequently, and running Shadeleaf Music, it’s all go over here, and i’m very thankful for that!

Tell us about this mix…where was it recorded and how?

I recorded it in my studio room, on my dj set up, the typical way y’know? As it was for you guys, and because i’m a fan of the site, I picked out 20 or so tracks I wanted to use in the mix (in a variety of formats), and just deejayed as I would in a club environment. Sometimes with podcasts or radio shows or whatever it can be all about exposing new music, and other times you just want to catch a vibe and be more representative of what you do when out on the road…. this is one of those ones. I won’t lie, I had to work pretty hard a couple of the mix transitions, but, again that’s more of an honest representation of me playing out, so i’m all for not masking a little bit of human error. I just recorded it into a DAW and did a little bit of post-mix processing , nothing more complicated than that. A handful of tunes, two channels and a mixer, no frills.

How and why did your start your label, Shadeleaf?

Just as a personal thing, I’d always wanted to self curate have my own label, initially as a way of a&r’ing my own music and getting out there at my own speed, and, I also very quickly realised that I knew a lot of people that I felt were making great music that needed to be heard… After Tone Control were kind enough to put out my first couple of solo artist releases (i’d been involved in a project called Small Arms Fiya about 10 years ago, then had a break from the music game) I met with my good friend and, well, mentor really, Chris Duckenfield (Swag,Popular Peoples Front) and showed him the demo’s I was working on, and he schooled me in how to set up on my own from there. Anything he doesn’t know about the vinyl game isn’t really worth knowing! Most of my heroes and inspirations have their own imprints, and also, having a label also adds a little leverage when releasing music on other labels. I’d highly recommend it to all up and coming artists, it’s a lot of work, but also a lot of fun, and very rewarding. We’ve been lucky enough for Shadeleaf to work with a lot of people I’m genuinely a fan of, and i’ve developed some great friendships from working on projects or remixes for the label. I’m really proud of our back catalogue, and that it quickly turned into something that isn’t really focussed just on me as an artist, and we’ve some really exciting projects in the pipeline!

Have you ever seen House royalty, and fellow Sheffield resident, Maurice Fulton at your local supermarket?

Hehhehheh, I have seen Maurice around occasionally, though maybe not yet at the supermarket! I don’t really know him personally other than to say ‘hi’, but, he seems like a really nice guy, and, you’re right, he’s definitely house royalty! I did once see him play at a small house party, doing two copy business with disco records and busted up walkman headphones, and can confirm that he’s as brilliant a deejay, as you already know he is….

You’re asked to book your favourite DJs and live acts for a night at your favourite club. Who plays, and which club?

Awwww man, that’s nearly impossible to pin down! There are so many great deejays and live acts, and, a whole lot of amazing clubs and venues around the world, some of which i’ve been lucky enough to see…. For today I’ll go with Chris Duckenfield, Recloose, Byron The Aquarius, and Larry Heard on the decks, with live sets from Henry Wu’s jazz project and D’angelo, at Flammable (Re Bar) in Seattle. My heart always holds a special place for those smaller ‘red light basement’ style spots with a big sound and a knowledgable crowd, and Re Bar definitely fits the bill for that! My answer to this question would probably change on a daily basis though… Also, just let me thank you guys for having me in, I’m a big fan of the site, as you know, and had a lot of fun doing this for you. Much appreciated!

If you want thatmanmonkz to play your party then get in touch with [email protected] , and make it happen?

Want to find more great house and techno records? Head over to Sound Shelter where we combine expert curation with a clever algorithm that offers insightful personalised recommendations, based on your favourite records labels and producers.

We also have a Facebook group where our crew post their favourite tracks and mixes. Come and join in.

Prequel – Freedom Jazz Dance (Rhythm Section International)

“Blackness is not a color” is what Prequel is telling us in the first seconds of “Saints”, the first track of his second EP on Rhythm Section International. And he describes what that means with delivering a wonderful jazzy House EP.

Rhythm Section International is Bradley Zero´s record label that he was building up with friends to give young talents and friends a chance to put their music out. Deep and jazzy grooves are characteristics of the label and are forming the signature sound.

In Freedom Jazz Dance, you can lose yourself in the deepest way imaginable. Here, soulful voices and sizzling electric buzz sounds; fat organic bass and deep pads are playing in harmony and are giving the record its finesse.

The album is a well composed journey through the roots of Jazz and House and takes a step further by reminding us where the soul of this music really lies, in the typical Rhythm Section style, that is moving the community for almost 2 years now.

This release is less Hip Hop influenced than his debut EP Polite Strangers; though, the overall sound Prequel is striving towards is recognizable and shows a noticeable love for Jazz in particular. These slightly delayed/reverbed and filtered jazzy sounds are combined with a well-balanced kick and minimalistic drum sounds that are playing along.

Not only is it a banger in the club, it´s a wonderful masterpiece on it´s own and I recommend it to everybody, not only the House- heads and underground lovers but everybody who is interested in a record that is uplifting , smooth, well-organized.

This release is going to be on my wantlist for sure! It creates such a great, positive vibe throughout and is put together so thoughtful that there is not much else to say.  It´s just deep, soulful and jazzy House, no filler, all killer. Buy it!


A1) Saints
A2) Nothing Better
B1) You Shall Know The Truth
B2) Walken

If you are interested in more facts and stuff about how Rhythm Section International was founded, check out the video from Stamp The Wax on YouTube.

Interested in more Rhythm Section Intl.? Click here 
You like to hear more from Prequel? Click Here

Want to hear more great house and techno records? Head over to Sound Shelter where we curate the best house, techno, bass and soul jazz records from across the planet.

The Essential Rhythm & Sound

Rhythm & Sound is one of several projects linked to the mysterious Berlin dub-techno duo Moritz Von Oswald and Mark Ernestus. They released a series of 10″ records on Burial Mix and 12″ records on Rhythm & Sound, both labels distributed by Hardwax.

Von Oswald and Ernestus’ Rhythm & Sound recordings are much more dub-influenced and less techno-orientated than the duo’s previous, and more legendary, dub-techno recordings as Basic Channel and Maurizio.

Where those earlier recordings synthesized a Detroit-influenced style of minimal techno with dub-reggae bass lines, the late-’90s Rhythm & Sound productions emphasized the dub-reggae aesthetic rather than the more dancefloor-orientated techno sound of the early-’90s Basic Channel and Maurizio recordings.

Here are our favourites from their outstanding discography, where the deep, FX-driven warmth of Jamaican dub meets the ice cold, machine patterns of techno.

Rhythm & Sound – Mango Drive

Rhythm & Sound – Roll Off

Rhythm & Sound ft Tikiman – Music A Fe Rule

Rhythm & Sound – Free For All (Soundstream remix)

Rhythm & Sound ft Savage –  Smile

Rhythm & Sound – Trace

Rhythm & Sound – Aerial

Rhythm & Sound – Carrier

Rhythm & Sound – No Partial

Rhythm & Sound – Poor People Must Work (Carl Craig remix)

Did we miss any? Comment below and let us know your favorites.


Want to hear more Dub Techno brilliance? Head over to Sound Shelter and check out our guide to the finest new Dub Techno records

We also have a Facebook group where our crew post their favourite tracks and mixes. Come and join in.

Andres – Mighty Tribe (La Vida)


It’d be pretty difficult to make a mess of the ridiculously funky chorus of Earth, Wind & Fire’s “Mighty Mighty”. It’d also be relatively easy to make a mediocre loopy disco track from the sample and still have a playable track.

Thankfully in the hands of the former Slum Village DJ, justice is done and the result is a wonderfully energetic dancefloor killer that should outlast Dez Andres biggest hit to date, “New 4 U”.

Want to hear more house brilliance? Head over to Sound Shelter and check out some similar tracks to Andres – Mighty Tribe

We also have a Facebook group where our crew share their favourite tracks and mixes. Come and join in.

The Essential Theo Parrish

“Music moves in such a way you can’t really talk about an artist using one set of adjectives, because that would mean you’ve listened to all of their works; that would mean you’d come to a consensus about what that artist’s work does.” — Theo Parrish

He’s right.

I’ve listened to a lot of Theo Parrish records, and if I had to describe his sound it would be that “it sounds like Theo Parrish”. Maybe it’s something in the equipment he uses, the records he’s sampling or something otherworldly. You often hear people refer to his sound as “raw”, but as this interview covers, he also does “nice”.

One things for sure, he has produced some magical records over the last 20 years and here’s what I consider to be some of his more dancefloor-friendly highlights.

Theo Parrish — The Rink (Sound Signature)

Billy Love— Can’t Keep Running Away (produced by Theo Parrish) (Sound Signature)

Theo Parrish — When The Morning Comes (Filth Records)

Theo Parrish — Blueskies Surprise (Trilogy Tapes x Palace)

Theo Parrish — Dan Ryan (Sound Signature)

LoSoul — Behind Closed Doors (Theo Parrish remix) (Elevate)

Theo Parrish — Soul Control (Sound Signature)

Theo Parrish — Sky Walking (Peacefrog)

LCD Soundsystem — 45:33 (Theo Parrish’s Space Cadet remix)

Theo Parrish — Synthetic Flemm (Sound Signature)

Theo Parrish — What U Cry 4 (Sound Signature)

Theo Parrish — Ebonics (Sound Signature)

Theo Parrish & Marcellus Pittman — Night Of The Sagittarius(Sound Signature)

Theo Parrish — Solitary Flight (Sound Signature)

Did we miss any? Comment below and let us know your favorites.


Want to hear more Detroit-themed brilliance? Head over to Sound Shelter and check out our guide to the finest new Detroit house from the 3 Chairs aka Theo Parrish, Moodymann, Rick Wilhite and Marcellus Pittman.

We also have a Facebook group where our crew post their favourite tracks and mixes. Come and join in.

Carlos Nilmmns Mix (Planet E)

France-residing, Scottish expat, Carlos Nilmmns has released and featured on over 50+ vinyl releases, 6 albums and many remixes with notable releases including “Subculture”, “Red”, “Distant Galaxy” (As Solab) and “Get By Me” which featured Detroit artists Davina Bussey (Underground Resistance) Niko Marks (Planet-E, Underground Resistance) and Andrés (KDJ, Mahogani Music).

Turns out he’s also a pretty fine DJ, so we hit him up for a mix and a quick chat.

What’s been happening in your world recently?

So far this year its been a busy one. In January I released a record on Deetron’s label Character with Ripperton, Niko Marks and Keter Darker.

I also just released a new mini album record on Ornaments. Its crazy because these new records have attracted a wider audience the usual. The label Ornaments have been ramping up my releases too. They just released the digital versions of my popular “Subculture” and “Cupid & Psyche” mini albums due to a lot of people requesting repress/digital releases. Ornaments actually are planning another record with a well known DJ/artist from Detroit on the remix duties.

I’ve completed a new club track album too I’ve only sent it off to one label at the moment so its early days. It will be my second full length Carlos Nilmmns album since “Lune Eclaire” from 2012.

Other side projects include collaborations with Niko Marks for his forthcoming album on Carl Craig’s label Planet E.

Tell us about this mix…where was it recorded and how?

The mix was recorded in my home. It was around the time when I played for 6 hours with another great DJ at “Fête de la Musique” in my hometown in Angers. These tracks were some of the highlight tracks that I played, if I remember rightly.

I used my new rotary mixer offered by my wife. Some girl eh?! 🙂

How did you wind up recording for Planet E?

I recorded a bunch of tracks with Niko Marks. I kept saying to Niko…: “ Send them to Carl!! Send them to Carl!!!!”.

We reworked some tunes and also created new ones to submit. Around the same time and in a funny coincidence, my bro Santiago Salazar surprised me with an awesome remix. He actually sent me a private video on Facebook with the track playing in the background. Man.. another great guy… We played together in Glasgow.. He walked into the Sub club and the first thing he did was walking up to me and gave me a big hug!!!! Legend!!! So.. anyway! Eventually Niko and I decided to send Santi’s mix with the other tracks to Carl.

It was great to finally meet both Carl and Niko in person in Paris but sadly the time was cut short due to the terrible attacks in Paris.

I’ve seen Carl playing a few good times in Glasgow at the Sub club and at festivals in Europe. He really is down to earth guy and a gentleman.

I’ve been making albums and records with Niko for many years. Firing tunes from Glasgow to Detroit and now France to Detroit. Our work flow is solid, we send ideas and trust each other, to work out the best way to release the music. Whether its a Niko Marks album on Planet E or a Carlos Nilmmns project on Ornaments… Both of us are purely into this for the music and always thinking about our next project together.

Why the move to France? How do you think this has affected you as an artist and DJ?

I moved to France after meeting my wife in Paris. We decided it was best to live here than in Scotland.

I can say for me at least that environment changes the way I create. I’ve been more productive since settling here. Warmer weather changes everything! Signing to labels like the giant Circus Company and Skylax have helped my music to reach more people here in France.

I’ve played quite few amazing festivals and clubs around the country and abroad with some really great people, but I still prefer Glasgow I feel not many places will ever match the Sub Club’s edgyness and vision.

You’re asked to book your favourite DJs and live acts for a night at your favourite club. Who plays, and which club?

Hmm difficult…

Venue: Sub Club in Glasgow (would have to be a late license as the club shuts at 3)

Lineup: Paul Johnson, Kenny Dope, Claude Young, Domenic Cappello

Want to hear more great house and techno records? Head over to Sound Shelter where we curate the best house, techno, bass and soul jazz records from across the planet.

We also have a Facebook group where our crew post their favourite tracks and mixes. Come and join in.